Der Big-Brother-Steinbruch der Römer

TOTALE ÜBERWACHUNG

Der Big-Brother-Steinbruch der Römer  von Kurt F. de Swaaf

Anonyme Überwachung gilt als Mode der Neuzeit. Doch in einem römischen Steinbruch am Toten Meer fanden Archäologen heraus, dass schon Sklaven unter der Illusion dauernder Überwachung litten. Die perfide Methode wurzelt womöglich sogar in der Bronzezeit.

http://www.spiegel.de/wissenschaft/mensch/0,1518,452041,00.html

SA bibliography 06/07

Olivier Assayas & others, Demonlover, 2002, movie, 116 min (entered 2006)
contains violence, murder, mayhem

Giuliana Bruno, Atlas of Emotion, 2002 (entered 2006)

Beatriz Colomina, Jennifer Bloomer, Sexuality & Space, 1992 (entered 2006)

F.F. Coppola, The Conversation, USA, 1974, movie, 109 min (KHM Bibliothek DVD V 1481 / VID TV 0610)

Jonathan Crary, Techniques of the Observer, 1990 (entered 2006)

Guy Debord, Die Gesellschaft des Spektakels, 1996 (entered 2006)

Harun Farocki, Auge/Maschine, 2001, Videoinstallation / Erkennen und Verfolgen, aus Auge/Maschine entstandener Film, 60 Min (KHM Bibliothek VID TV 2256 / VID V 2205 / DVD also available)

Michel Foucault, Überwachen und Strafen, 2000 (KHM Bibliothek PHI I.1.2 – 28)

John Frazer, An Evolutionary Architecture, 1995-today

Judith Halberstam, In a queer time and place, 2005 (entered 2006)

Henry Jenkins, Convergence Culture, 2006 (entered 2006)

Michael Klier, Der Riese, 1983, Video, 83 min (KHM Bibliothek DVD V 1247  /  DVD V 2401 / VID V 1953)

Thomas Levin (ed), Ctrl[Space], 2001 (KHM Bibliothek KUN B.6.16 – 185)

Margaret Livingstone, Vision and art, the biology of seeing, 2002 (entered 2006)

Jane Loeffler, The architecture of diplomacy, 1998 (entered 2006)

Martha Rosler, Vital statistics of a citizen, simply obtained, USA, 1977, Video, 40 min (KHM Bibliothek VID V 1412 / VID V 1546)

Elaine Scarry, The Body in Pain: The Making and Unmaking of the World, Oxford University Press, 1985 (entered 2006)

Caroline Schneider (ed), Julia Scher – Always there, 2002 (entered 2006)

Surveillant Architecture : Schedule winter semester 08/09

unit 13

feb 2nd / 10.30 am to 1.00 pm / End Term ReView

feb 3rd / 03.00 to 07.00 pm / End Term ReView

feb 4th / 10.o0 am to 1.00 pm / End Term ReView

EndTermReView 09

already happened:

1

oct 21 / 06.00 pm / atelier 2 / screening Data Daze : LEHRFILM by Anke Limprecht (12 min) & Der Riese by Michael Klier (82 min) & selected sequences from Bennys Video by Michael Haneke

oct 22 / 10.30 am / atelier 2 / lecture 1 “ORIENTATION”
oct 23-25 / 10.30 am / atelier 2 / workshop Very Wearable Variables with Georg Schuetz & Echo Ho

2

oct 28 / 06.00 pm / atelier 2 / Surveillant Architecture / screening : Der Riese & Benny’s Video

oct 29 / 10.00 am / atelier 2 / The Matthias’ Workshop : workshop with Matthias Neuenhofer

3

nov 04 / 06.00 pm / atelier 2 / screening DISSENTORS : Kristin Lucas & Videodrome & 1984

nov 05 / 10.30 am / atelier 2 / screening COLLABORATORS : ManuLuksch’s Faceless, … Big Brother, …

4

nov 11 / 07.00 pm / aula / lecture by Bradley Pitts

nov 12 / 10.30 am / atelier 2 / workshop with Bradley Pitts (www.bradleypitts.info)

5

nov 18 / 06.00 pm / atelier 2 / lecture by Jason Simon about art distribution and overlapping consumer economies: Some Affective Economies

nov 19 / 10.30 am / workshop with Jason Simon discussing stretegies of intervention and play

6

nov 25 / 07.00 pm / aula / screening DOMESTICS SOULS : Rainer, Rosler, Godard & about slavery control

nov 26 / 10.30 am / atelier 2 / lecture 3

7

dec 02 / 06.00 pm / atelier 2 / screening THRU EYES : Das Leben der anderen & The Conversation by Coppola

(Julia Scher in Padeborn giving talk “Control Space Surveillance Architecture”)

dec 03 / 10.30 am / atelier 2 / lecture 4

dec 05 / setting up MidTerm ReView @ room2 & gallery behind)

8

dec 16 / 06.00 pm / atelier 2 / students’ screening

dec 17 / 10.30 am / atelier 2 / lecture 5

(after lecture: cleaning up MidTerm ReView @ room2 & gallery)

9

jan 06 / 10.30 am / atelier 2 / defensible space workshop with Michelle Teran

jan 07 / 10.30 am / atelier 2 / defensible space workshop with Michelle Teran

unit 10

jan 14 / 10.30 am / atelier 2 / lecture 6

unit 11

jan 20 / 06.00 pm / atelier 2 / screening Man-States and Body Control in Film : 2001 Space Odysee by Stanlay Kubrick & Finished by William Jones

jan 20 / 07.00 pm / aula or room2 / “Konversion(en)/Conversion(s)” panel with Astrid Wege and Barbara Weiss for public practice/making art in public space

jan 21 / 10.30 am / atelier 2 / lecture 7

unit 12

jan 27 / 07.00 pm / room2 / Celeste Olalquiaga on ruins and melancholia for public practice/making art in public space

jan 28 / 10.30 am / atelier 2 / lecture 8

****

still to place:

* Blade Runner by Ridley Scott

* Alphaville by Godard

* DIGITAL GLOBE

"A Cultural History of Surveillance" : working on a TimeLine

1608 The earliest known working telescopes appeared, credited to Hans Lippershey and Zacharias Janssen, spectacle-makers in Middelburg, and Jacob Metius.

1609 Galileo used a refracting telescope as an instrument to observe stars, planets or moons. The name telescope was coined for Galileo’s instrument by a mathematician, Giovanni Demisiani, in 1611. The name was derived from the Greek tele = ‘far’ and skopein = ‘to look or see’.

1642 Pascal constructed a mechanical calculator capable of addition and subtraction, called Pascal’s calculator or the Pascaline

1785 Plan for Hotel-Dieu, Drawing by Bernard Poyet (Fonte: FERMAND, C.. Les hôpitaux et les cliniques: architectures de la santé, Paris, Le Moniteur, 1999, p. 20)

Bernard Poyet
1786 Plan for a Hospital, Drawing by Bernard Poyet

1791 General Idea of a Penitentiary Panopticon, Drawing by Willey Reveley after Jeremy Bentham

1791 Reveley after Bentham

1796-98 Alois Senefelder developed lithography

1837 Charles Babbage designed a fully programmable mechanical computer he called The Analytical Engine

1837 1st telegraph by Samuel F. B. Morse

1840 Projet de pénitencier, Drawing by Harou Romain

1840 Romain

1878 1st phonograph, patented by T.A.Edison, invented by Charles Cros

1887 Emil Berliner invented and patented the grammophone

1889 Herman Hollerith developed and patented a punched card data processing technology for 1890 US Census and founded the Tabulating Machine Company,  one of the three companies that merged to form Computing Tabulating Recording Corporation, later renamed IBM

1900 Reginald Fessenden successfully transmitted his speech over a distance of about one mile, which appears to have been the 1st audio radio transmission.

1927 Russian inventor Léon Theremin developed a mirror drum-based television system which used interlacing to achieve an image resolution of 100 lines.

1927 Herbert E. Ives of Bell Labs transmitted moving images from a 50-aperture disk producing 16 frames per minute over a cable from Washington, DC to New York City. Ives used viewing screens as large as 24 by 30 inches.

1927 Fritz Lang directed Metropolis (screenplay written 1924)

1929 Dziga Vertov edited the movie Man with a Movie Camera

1929 Vertov

1932 Aldous Huxley published Brave New World

1935-1944 On air period of the German TV Station Paul Nipkow. Its headquarters were in Berlin. It was named after Paul Nipkow, the inventor of the Nipkow disk

1936 Walter Benjamin published The Work of Art in the Age of Mechanical Reproduction

1939 John Cage composed Imaginary Landscape No. 1

1941 Konrad Zuse developed Z3, the first working machine featuring binary arithmetic, including floating point arithmetic and a measure of programmability. In 1998 the Z3 was proved to be Turing complete, therefore being the world’s first operational computer.

1942 Siemens installed first CCTV for the monitoring Test Stand VII of A4-skyrockets (in Peenemünde)

1945 Vannevar Bush published in Journal The Atlantic Monthly the article  As We May Think. He is thinking about a system called Memex (for Memory Extender) as an electronic exstention of human memory and knowledge. A prototype both of PC and hypertext.

1946 Peter Goldmark (CBS) demonstrated his color television system. His system produced color pictures by having a red-blue-green wheel spin in front of a cathode ray tube.

1949 This mechanical means of producing a color picture (by Peter Goldmark) was used to broadcast medical procedures from Pennsylvania and Atlantic City hospitals. In Atlantic City, viewers could come to the convention center to see broadcasts of operations. Reports from the time noted that the realism of seeing surgery in color caused more than a few viewers to faint.

1951 The first video tape recorder (VTR) captured live images from television cameras by converting the information into electrical impulses and saving the information onto magnetic tape1956 Ampex sold the first VTR for $50,000

1957 Sputnik launch, 1st artificial satellite

1958-1980 Developement and activity of SAGE, Semi-Automatic Ground Environment, Source: http://en.wikipedia.org/wiki/Image:SAGE_control_room.png (This image is a work of a U.S. Air Force Airman or employee, taken or made during the course of the person’s official duties. As a work of the U.S. federal government, the image is)

1950-80ies US SAGE

1961 first meteorological satellites launched by the USA

1963 Philips presented first audio cassette recorder

1963 Nam Jun Paik exhibit 13 TV monitors at EXPosition of Music ELetronic television at Galerie Parnass Wuppertal

1964 Marshall McLuhan published Understanding Media

1963-65 Ted Nelson (Projekt Xanadu) coined and published the term hypertext

1969 Vito Acconci produced Following Piece in New York

1969 Following Piece

1969 US Defence and its Advanced Research Project Agency developed ARPANET

1969 Sony introduced a prototype for the first widespread video cassette, the 3/4″ composite U-matic system, which Sony introduced commercially in 1971 after working out industry standards with other manufacturers. Sony later refined it to Broadcast Video U-matic or BVU

1969-70 Bruce Nauman developed the installation Live-Taped Video Corridor (http://www.medienkunstnetz.de/works/live-taped-video-corridor/)

1969-70 Bruce Nauman produced Video Surveillance Piece / Public Room, Private Room

1969-70 Bruce Nauman’s Video Surveillance Piece

1970 William S. Burroughs published The Electronic Revolution (In both The Electronic Revolution and The Job (1970), Burroughs mapped strategies for the use of tape recorders as instruments of psychic terrorism); (http://en.wikipedia.org/wiki/The_Electronic_Revolution)

1970 Dan Graham staged TV Camera / Monitor Performance at Nova Scotia College of Art and Design, Halifax

1971 The first Video Cassette Recorder were sold by Sony

1971 Jochen Gerz presented IBM Colour Ribbon: Unlike the videotape, the typewriter ribbon directly and visibly shows the information transferred to it. As a waste product, it embodies mechanical text production as a process in time (http://www.medienkunstnetz.de/works/ibm-farbband/)

1971 Gerz

1973 Peter Weibel installed Observation of the Observation: Uncertainty

1973 GPS program Joint Program Office is started

1974 Francis Ford Coppola directed the movie The Conversation

1974 Coppola

1975 Michel Foucault published Surveiller et punir

1976 Dara Birnbaum edited Technology / Transformation: Wonder Woman

1976 Wonder Woman

1976 VHS video format introduced by JVC

1977 Dan Graham staged Performer/Audience/Mirror

1978 1st GPS satellite launched

1978 Antonio Muntadas produced the video On Subjectivity (About TV)

1978 Antonio Muntadas

1979 Sony and Philips developed toghether the Compact Disk CD

1979 first edition of ars electronica festival, Linz, austria

1981 Sophie Calle acted The Shadow : «In April 1981, at my request, my mother went to a detetctive agency. She hired them to follow me, to report my daily activities, and to proviede photographic evidence of my existence.» In The Shadow she sets the detective’s photographic account against her own observations: the observer becomes the observed. The viewer is the third witness. This search for her own identity fails to reveal a clear picture here, too. Sophie Calle’s face does not appear in any of the pictures: her figure emerges like a shadow throughout the detective’s photographs. (http://www.hausderkunst.de/englisch/aus/daten_pages/0008.html)

1981 Sophie Calle’s The Shadow

1982 Ridley Scott directed Blude Runner

1982 David Rokeby started to develope Very Nervous System, his first major interactive work using video cameras, image processors, computers, synthesizers and a sound system to create a space in which the movements of one’s body create sound and/or music.

1983 Michael Klier directed/edited the movie Der Riese, an unconventionally constructed essay video on video surveillance in public space

1983 Der Riese

1984 1st Macintosh 128k presented

1985 Julia Scher‘s 1st reference to surveillance Hardley Feel It Going In (painting with surveillance system)

1986 Julia Scher‘s 1st Bubble Memory device by Hitachi Softly Tapping The Wires (interactive installation)

1991 Julia Scher presenting DDD (Danger Dirty Data)

1998 Surveillance Camera Players staged George Orwell’s 1984. Excerpt of the storyboard of Art Toad’s adaptation of George Orwell’s famous anti-utopian play 1984 took place on the platform of a New York subway station in November 1998. www.medienkunstnetz.de/works/george-orwells-1984

1998 Surveillance Camera Players

2007 Nino Leitner directed Every Step You Take, a CCTV surveillance documentary (everystepyoutake.org)

** to add:

* deutsche Romantik / Landschaften

* Humanismus

* datafiles and computer science

* practies of social authority : examples from asia, south america

* CCTV 1st references in USA and Sowiet Union

* the past happening in the present (show the shift) -> explosion of media -> tube-technology

* shift from tape to hard-drive

* capture & control

* unframed (before Acconci)

*all the things send to space (library)

* Irit Batsy

* Apocalypse (result of no watching) -> look for a work or position dealing with apocalypse (Lars von Trier? Michael Haneke?)

* seeing not seeing: millions of art works: which subcategory for explosiotion? A list of places where art is shown! (after date with Jason Simon)

* data desaster

* timeline compiled by arte-e-parte, 2008

Buero fuer Unabwaegbarkeiten at ars electronica, Linz, austria

The MobileLab is a wagon moved by hand; it contains various tools and devices as well as an electrical supply. Recording & playback devices will be used to initiate a dialog
between the Linz cityscape and what’s transpiring at the festival. Current measurements taken in Linz as well as documentation and results of previously-conducted
investigations will flow into the Bureau’s ever-growing pool of data, which will be accessible via a Web-based archive displayed as a wiki. This structure enables users
not only to access the Bureau’s data but also to revise it any way they want, use it for other purposes, or develop it further.

Please join the wiki

http://www.khm.de/~bfu