Just to remind you, next Wednesday we’re going to do the Liberation Movements seminar as usual from 10. If you’d like to present something to the group, please bring it. (I think everyone should at least present once).
Then in the evening we’re going to have our second Cryptoparty. Just turn up, bring someone in need of privacy, and a computer.
To prepare for Wednesday, please check out these two fantastic podcasts about Conspiracy Theories.
You Are Not So Smart podcast 016: Conspiracy Theories
Their guest “Steven Novella is a leader in the skeptic community, … and an academic clinical neurologist at Yale University School of Medicine.” So you kind of know where this is coming from. I find it hugely refreshing. They’re talking about artists without knowing (or explicitly mentioning) it from 45’40:
“Q: Are there certain traits that you’ve seen that make a particular individual more susceptible to believe in conspiracy theories?
A: Well it certainly seems that way. (…) It is certainly recognized that some people have more of a tendency to be paranoid. What we call paranoid ideation. It’s been studied.
In fact, people who tend to believe in conspiracies are also more likely to see patterns in random visual images as well. … They might have this enhanced pattern recognition. Or they may just have a decreased reality testing filter. Meaning that they’re much more likely to think that patters that they think they see are real.
… We all have that tendency to some degree. These just may be people who are farther along that spectrum. They’re a little more paranoid, have more intense pattern-recognition, and they’re less skeptical of their own perceived patterns. “
(in German, from influential bloggers and activists Fefe and Frank Rieger)
Alternativlos, Folge 23, über Verschwörungstheorien, insbesondere um solche, die sich später als wahr herausstellen.
About the major consensus narrative. What do conspiracy theories have to do with blinkers? Intersting stuff for artists, too. The more you look out for something, the more you find of it, and after a while you start to get blind towards conflicting ideas or alternatives. They say this is valid for narratives as well as imagery. Does it also apply to artistic obsessions? How do you get rid of any of this?
I’m going to put this up on our blog at http://sag.khm.de – leave comments if you dare! (use Tor if necessary)