institutional

CfPP: Gewächshaus Erinnerung – a project by thon&beuse

The project Gewächshaus Erinnerung by thon&beuse is concluded: documentation online under
http://www.thonbeuse.com/reaction-gewaechshaus.html

Gewächshaus Erinnerung
Performative Installation, 30 Tigerbambusrohre, 2000 Meter imprägnierter Baumwollfaden, 100 Meter schwarzes Nylonseil, 100 Meter weisses Nylonseil, Draht, 1000 Sandwichboxen transparent, gesammelte/gespendete Erinnerungsstücke, gegossener Wurfanker, 2 Schekel. thonbeuse 2010
Schlagworte (Tags) Bewegungsmuster, Intim/Öffentlich, Erinnerungsmuster, Topographische Vernetzung/Verteilung, Erinnerung/Raum, Architektur, Baugeschichte, Erinnerung/Ritual, Erinnerung/Wandel, Kunst/Wort

Call For Papers

Sixth International Summer School
organised jointly by the EU FP7 project PrimeLife
and the IFIP Working Groups 9.2, 9.6/11.7 11.4, 11.6
Privacy and Identity Management for Life (PrimeLife/IFIP Summer School 2010)
to be held in Helsingborg, Sweden, 2nd – 6th August 2010
in cooperation with the EU FP7 project ETICA
http://www.cs.kau.se/IFIP-summerschool/

After the success of the 2009 PrimeLife/IFIP Summer School, the European project PrimeLife and IFIP (International Federation for Information Processing, Working Groups 9.2, 9.6/11.7 11.4, 11.6) will continue their joint cooperation. This year they will hold an International Summer School on the topic of Privacy and Identity Management for Emerging Internet Applications throughout a Person’s Lifetime.

Emerging Internet Applications, such as Web 2.0 applications and cloud computing, increasingly pose privacy dilemmas. When they communicate over the Internet, individuals leave trails of personal data which may be stored for many years to come. In recent years, social network sites, where users tend to disclose very intimate personal details about their personal, social, and professional lives, have caused serious privacy concerns. The collaborative character of the Internet enables anyone to compose services and distribute information. Due to the low costs and technical advances of storage technologies, masses of personal data can easily be stored. Once disclosed, this data may be retained forever and be removed with difficulty. It has become hard for individuals to manage and control the release and use of information that concerns them. They may particularly find it difficult to eliminate outdated or unwanted personal information.

These developments raise substantial new challenges for personal privacy at the technical, social, ethical, regulatory, and legal levels:

  • How can privacy be protected in emerging Internet applications such as collaborative scenarios and virtual communities?
  • What frameworks and tools could be used to gain, regain and maintain informational self-determination and lifelong privacy?

Both IFIP, PrimeLife and ETICA take a holistic approach to technology and support interdisciplinary exchange. In particular, participants’ contributions that combine technical, legal, regulatory, socio-economic, ethical, philosophical, or psychological perspectives are welcome.
We are especially inviting contributions from students who are at the stage of preparing either masters’ or doctoral theses qualifications. The school is interactive in character, and is composed of keynote lectures and seminars, tutorials and workshops with PhD student presentations. The principle is to encourage young academic and industry entrants to the privacy and identity management world to share their own ideas and to build up a collegial relationship with others. Students that actively participate, in particular those who present a paper, can receive a course certificate which awards 3 ECTS at the PhD level. The certificate can certify the topic of the contributed paper to demonstrate its relation or non-relation to the student’s masters’/PhD thesis.

Related European, national, or regional/community research projects are also very welcome to present papers or to organise workshops as part of the Summer School.

A special one-day stream within the Summer School, to which abstracts/papers can be submitted directly, will be organised by the EU FP7 project ETICA on privacy and related ethical issues that arise from emerging information and communication technologies.

Ernst Schering Foundation: Cloud Core Scanner – In the Troposphere Lab

Cloud Core Scanner – IN THE TROPOSPHERE LAB of Agnes Meyer-Brandis

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info [at] scheringstiftung [dot] de

www.scheringstiftung.de

January 15, 2009 – February 27, 2010

Opening Hours: Monday through Saturday, 11 a.m. – 6 p.m.
Free Admission

Clouds, their formation and their substance, have long been a much-discussed topic in art and science. For artist Agnes Meyer-Brandis (Cologne, studies of mineralogy and sculpture), it was thus a unique opportunity to be invited by the German Aerospace Center to participate in one of its zero-g flights, which are primarily reserved for scientific purposes, and to work under conditions of temporary weightlessness on her art project ‘Cloud Core Scanner.’

Her current installation IN THE TROPOSPHERE LAB provides insights into the material produced under conditions distant from earth. The exhibition tells of the formation of clouds and shows conditions and combinations of art and science during zero gravity.

LECTURE PROGRAM
By supporting projects in frontier areas and at the interfaces of traditional disciplines, the Ernst Schering Foundation wants to pave the way for new ideas and thoughts. To this end, the foundation has organized a lecture program in conjunction with the ‘Cloud Core Scanner’ project and invites to use the discussion as a background for discussions with scientists working in aerosol (cloud) research. For topics & dates please have a look at: www.scheringstiftung.de

CONTEMPORARY TRAVELING MOVIE SHOW
During the exhibition, the Sophiensaele in Berlin-Mitte present Agnes Meyer-Brandis’ ‘MAKING CLOUDS, or ON THE ABSENCE OF WEIGHT – A Contemporary Traveling Movie Show’ on February 5 and 6, 2010. A combination of film, performance and lecture, the traveling movie show unites contemporary art with quite surreal forms of science. More information: www.sophiensaele.com

Coco Fusco at MC

http://www.afterall.org/online/coco.fusco.at.mc

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Coco Fusco’s recent exhibit at MC, Los Angeles (2006) included the photographic series Bare Life Study #1, a fictional military interrogation training manual for women, an enigmatic presentation of real manuals on a desk, and in an adjoining room, the 59-minute video Operation Atropos. The show explored the weaponization of female sexuality by the US military that was exposed by the Abu Ghraib and Guantanamo Bay prisoner abuse scandals.

read more!

MIT wins $40,000 prize in nationwide balloon-hunt contest

http://www.cnn.com/2009/TECH/12/05/darpa.balloon.challenge/index.html

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(CNN) — A team from the Massachusetts Institute of Technology won $40,000 in a high-tech scavenger hunt on Saturday by discovering the location of 10 red weather balloons.

The Defense Advanced Research Projects Agency announced that the MIT team was the first group in the contest to report the latitude and longitude coordinates of all 10 balloons, which were scattered across the United States.

DARPA is the U.S. military’s research arm. Saturday’s challenge is the latest in a series that the agency has hosted since 2004.

This contest was designed to test the way social networking and lesser-known Web-based techniques can help accomplish a large-scale, time-critical task.

read more…

Art and Its Cultural Contradictions, Joshua Decter

 http://www.afterall.org/journal/issue.22/art.and.the.cultural.contradictions.of.urban.regeneration.social.justice.and.sustainability

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What is at stake when artists, architects, curators, organisers and other cultural producers facilitate bricks-and-mortar change, on the ground in cities, with citizens, communities and institutions? How do we test the interrelationships between the practices of artists and urban policy makers? What is the metric that we might utilise to determine effectiveness? And what do we mean by effectiveness? Critical effect? (Or, for that matter, critical affect?) The putatively emancipatory outcome generated by some kind of new situational knowledge? Or, is it a question of generating ambiguity, per se, as a means of problematising hegemonic political, economic and cultural formations?

read more…

Aftermath: Vogelsang Intervention

Public Events• Kunsthochschule für Medien Köln• Filzengraben 2 & 12, 50676 Köln

Aftermath: Vogelsang Intervention
Panel Discussions• Aula In Deutsch and English

Monday November 16th 19:00h Aula
Remembrance Culture and Public Space
moderated by Julia Scher with Astrid Wege, David Stoop, Christine Threuter
Susanna Schoenberg, students
Vogelsang was a Hitler elite school. Can this site ever be reclaimed? The newly named vogelsang ip, Internationaler Platz, stakes a claim against the Nationalism that exploded into a hate industry for 12 long years. What is the shape and consequence of their new program?
Can this place be a place for contemporary art or humanitarian public praxis?

Tuesday November 17th 19:00h Aula
Remembrance Culture and Art
moderated by Julia Scher, with Barbara Hess, Kasper König
Susanna Schoenberg, students
At what moment does art, self-conflict, and the conflict of the state, converge? How have artists and critics dealt with the struggle over the possession of narrative itself? What are some of the evolving critical approaches to artworks that enter “dark sites”?

Wednesday November 18th 11:00h room2
Further discussion- War and Peace and Recycled Landscapes
Student panel

Exhibition glas moog Nov. 16-18th
Aftermath: vogelsang intervention
(closing party) November 18th•18- 20 h
“Aftermath” refers to an event space here and now, in the aftershock of just having returned from Vogelsang. Some first document scenarios, cut on tape and written in chalk.
Daniel Ansorge, Auriel, Peter Conrad Beyer, Christine S. Thon und Lars H. Beuse, Florian Egermann, Eva und Artur Holling, Aino Korvensyrjä, Theresa Krause, officinevida, JiHyun Park, Nicholas Pelzer, Evamaria Schaller Franziska Windisch, Irena Wolf, Roshanak Zangeneh

Luring Artists to Lend Life to Empty Storefronts

At the end of a dark passageway at the Port Authority Bus Terminal, almost 50 artworks have suddenly parked in a bright, spare gallery. On a grim stretch of the Flatbush Avenue Extension in Brooklyn, pastel portraits and interactive sculptures are squeezed between a McDonald’s and an Applebee’s. In the window of a former dentist’s office in downtown Jamaica, Queens, a clutch of faceless mannequins cradle various forms of roadkill.

more here: http://www.nytimes.com/2009/10/13/nyregion/13galleries.html?_r=1

colored storefronts