art positions & projects

Seminar notes from today: Data Double Love

for those that missed today’s seminar, here are my notes and some links

1. dating sites

as an example of a corporation that needs to intimately get to know you. They ask questions to get a (good enough) image of who you are, so they can recommend the right match.

Try it, just sign up https://www.okcupid.com (but use a temporary email and I’d say not when logged in to your everyday browser. I did it via Tor and using Spamgourmet https://www.spamgourmet.com/index.pl?languageCode=EN )

Here’s another way to flesh out your digital double: https://www.okcupid.com/tests/the-are-you-really-an-artist-test

(by the way, here are my results:
results are you an artist test)

So does that mean that first you’d have the Data Doubles falling in love, then the real life yous just have to follow suit?

 

Some notes on dating algorithms and methodology by Christian Rudder, statistician

http://blog.okcupid.com/index.php/we-experiment-on-human-beings/

“The ultimate question at OkCupid is, does this thing even work? By all our internal measures, the “match percentage” we calculate for users is very good at predicting relationships. It correlates with message success, conversation length, whether people actually exchange contact information, and so on. But in the back of our minds, there’s always been the possibility: maybe it works just because we tell people it does. …”

The result:

“When we tell people they are a good match, they act as if they are. Even when they should be wrong for each other.”

Some more about falling in love: Experimentational Generation of Interpersonal Closeness

A psychological study: You only need to answer 36 questions to establish intimacy and trust. “Love didn’t happen to us. We’re in love because we each made the choice to be.”
Article: http://www.nytimes.com/2015/01/11/fashion/modern-love-to-fall-in-love-with-anyone-do-this.html
Paper: http://psp.sagepub.com/content/23/4/363.full.pdf+html

“I first read about the study when I was in the midst of a breakup. Each time I thought of leaving, my heart overruled my brain. I felt stuck. So, like a good academic, I turned to science, hoping there was a way to love smarter”

Read: a way to make love safer and more convenient (the drive behind all of this IMHO).

2. “Be Right Back” episode of “Black Mirror”

https://www.youtube.com/watch?v=ld9m8Xrpko0

The whole episode is online on Youtube if you want to re-watch. The DVD box set is in our Semesterapparat in the library.

It talks about, among other things, love, death and bereavement. It’s fairly didactic also, in the way it explains the limits of Facebook’s way of constructing your Data Double (i.e. when real-life Ash says he’s sharing the image of himself because it’s “funny” and the Ash the fleshbot then repeats it as face value.)

Charlie Brooker, creator of the series, explains in a panel discussion on the ideas that led to writing this story:

“I was spending a lot of time late at night looking at Twitter, and I was wondering, what if all these people were dead. Would I notice?”

Basically people’s reactions and posts are so formulaic that they’re entirely predictably. So we might as well get a robot to do it.

“Also there is the story of the inventor of one of the first chat bots, Eliza. He had his secretary test her out, and shortly after she asked him to leave, because even though she knew it was a machine she was talking to, she was having a very intimate conversation and wanted to be alone.”

3. Intimacy with robots

So it seems there is a huge market for intimacy with robots out there. Presumably it’s going to become a lot more visible soon. David Levy is a computer scientist who has done decades of research. In his book “Love and Sex with Robots” he recommends sex robots as the solution to many of our problems.

Press response see i.e. https://www.theguardian.com/technology/2015/dec/13/sex-love-and-robots-the-end-of-intimacy

4. Criticism

The most prominent and profound critic of this development is Sherry Turkle, Professor of Social Studies of Science and Technology at MIT. In her work she focuses on human-technology interaction, and used to praise the Internet for the freedom it gave people in re-inventing themselves, trying out different personas. In recent years she has become increasingly critical of the way that technology limits the depth of human communication and interaction.

See her book “Alone Together” (in the library):

Facebook. Twitter. SecondLife. “Smart” phones. Robotic pets. Robotic lovers. Thirty years ago we asked what we would use computers for. Now the question is what don’t we use them for. Now, through technology, we create, navigate, and perform our emotional lives.

We shape our buildings, Winston Churchill argued, then they shape us. The same is true of our digital technologies. Technology has become the architect of our intimacies.

She starts the book with research about the emotional investment people make in toy robots. Describes how her research again and again has shown that people are more than happy to confide in robots and enter into intimate relationships with them.

People often find that robots are actually preferable to a live person. Unlike real pets, robot puppies stay puppies for ever. Your sex robot will always be young, willing, and only be there for you (and won’t think you have strange desires or are a bad performer). According to Turkle, the problem is that this is a reduction of the bandwidth of human experience as we used to know it. She quotes from her research with teenagers: “texting is always better than talking”, as it’s less risky. Risk-avoidance is at the heart of the desire for intimacy with robots. (Again, security and convenience.)

Interaction with robots is sold as “risk free”, whereas “Dependence on a person is risky – it makes us subject to rejection – but it also opens us up to deeply knowing each other.”

“The shock troops of the robotic moment, dressed in lingerie, may be closer than most of us have ever imagined. … this is not because the robots are ready but because we are.”

It’s in the library! From the introduction to the book: http://alonetogetherbook.com/?p=4

A quick TED talk about the ideas and research behind the book: TEDxUIUC – Sherry Turkle – Alone Together:  https://www.youtube.com/watch?v=MtLVCpZIiNs

5. the conceptual basics of data doubles explained

A talk by Gemma Galdon-Clavell https://www.youtube.com/watch?v=0eifMYCfuBI. My rough notes:

“who do you think you are? who do you think the person next to you is? …

identities are a complex thing. we mess with our identities, we play with them, we’re not the same person at a job interview than when going out at night to party. we choose to show different things, evolve over time.

data: fixes things. States need fixed things.

not too long ago, the amount of personally identifiable data (PII) was limited. when you crossed a border. when you registered a car. when you got a speeding ticket. that kind of info got stored by the state. back then only the state was big enough to need a UID to track you.

now: is stored by a large number of actors: shopping (loyalty cards, credit cards), entertainment (video streaming “rental”, music streaming, online game platforms), social media (making up ~60 to 75% of total traffic), smart phones (full of sensors & apps. have sensors than can be used for more than you can imagine )… we leave data traces all the time and we have no control. we have no way of knowing where the data goes, it gets sold on, or is held in storage silos because people think it’s tomorrow’s oil. Companies might even not know what to do with it, but they gather it anyway now. They keep it just in case.

Data doesn’t just sit there but it’s being used in new and dynamic ways, all to build a model of you that is as exact as possible: the Data Double. You, in data. When you enter any business transaction with companies, they don’t make decisions on you, but on what they can learn about you from their databases. You think you’re sitting down with your banker, talking about that loan, but really the decision that he’s going to make is based on your credit scoring. Not how compelling you are in presenting your ideas. The score is presented to them in a color, they’ll just see a green or red light, and won’t even be able to find out how that rating came about. You’re trying to create an interaction, and the decision has been made beforehand. Same with web sites who decide how to interact with you based on the cookies in your browser.

example dating site: answer a few questions (this is usually done by cookies on other web sites). Based on those the dating site will decide who you are and provide recommendations what to avoid and what to look out for. So the data double is not only a representation of yourself, but it’s also shaping your future self, because suddenly your options have reduced drastically, and your perspective has narrowed.

states love data doubles, because it’s a lot easier to deal with data than it is to deal with people. People are complex, messy, can be annoying. Data is stable, fixed, doesn’T yell back at you. High temptation to substitute people with data (“The data gives me a good idea of what the people want that I represent in parliament”)

Increasing pressure to conform to the image that the data has about me. Example credit card fraud detection: do something unusual and it’ll flag it as probably fraudulent and won’t allow it.

Ends with: can I ever get out of this cage again? Does the data double forget? Forgive? (doesnt look like it). So: until we have the legal tools to deal with this direclty and fairly, the solution is sabotage. only give up data if it profits you.

Bottom line: most of it is being used for either advertising and/or prediction. To read more about the details, see i.e. here: Epic.org: Privacy and Consumer Profiling.

Come to our Cryptoparty on May 19 to learn about self-defense measures.

 

6. heated  discussion ensues

7. Illustration: seminar participants categorization by unknown author

seminar_participants_categorization

Art made for the darknet

Dark Content (2015)

http://0100101110101101.org/dark-content/

by Eva and Franco Mattes

A series of videos about internet content moderators: the extraordinarily significant, yet elusive, individuals who determine how much breast is too much breast for Instagram, or are tasked with scrubbing photos of Osama bin Laden from search engines.

New episodes are released periodically and only on the Darknet. To watch them download the Tor Browser and use it to go to http://5cqzpj5d6ljxqsj7.onion

eva-and-franco-mattes-darknet

Yes Men – Anti-terrorism "personal security" Hoax

This week, in the European Parliament in Brussels, a “defense and security consultant” from a group called “Global Security Response” presented a new kind of solution to terrorism. Showing in a very clever way how the military approach to terrorism is failing.

I love the look of those spheres.

Here’s the entire presentation including slides. Some photos and the press release. More photos. The fake company website.

 

Conference ›EVERY STEP YOU TAKE‹, 12.-15. November 2015, Dortmund

Opening this Thursday! (12th November 2015, 18:00, Dortmunder U, Cinema, free admission) Welcome addresses, opening lecture (de) by Hans Ulrich Reck (Academy of Media Arts Cologne), film programme, part I: “Living Data” with works by Walter Koch, Ridley Scott, Norman Cowie, Emma Charles, Steffen Köhn, Jen Liu, introduction: Florian Wüst.

And this is just day one. Programme booklet (Programmheft): www.medienwerk-nrw.de/news/everystepyoutake

I’m on a panel with someone from the fantastic Peng!Collective on Sunday Nov 15, from 17.30-18.30, talking about my Hop 3 project currently on show here in Cologne, and how art & activism can go together.

On Saturday Nov 14, Holly Herndron will perform together with Mat Dryhurst in the context of the medienwerk.nrw conference “Every Step You Take” – Art and Society in the Data Age” , at Dortmunder U – Centre for Art and Creativity. Admission is free! Please RSVP here: tickets [at] medienwerk-nrw [dot] de

Video: Holly Herndon/Metahaven (already a classic)

"Bycatch", a card game about drone strikes

Leading up to this Winter term’s “Up in the Air”, here’s a different way to talk about flying killer robots. “Bycatch” is a card game for 3 to 5 participants, played with paper cards and your own mobile phones. You get a lot of points for successfully killing a “terrorist” and only a few minus points for offing the wrong people. So the incentive is to just go for it. That sounds terrifyingly realistic. You can use your phone to photograph your opponent’s cards and use this surveillance to judge whether to strike or not – you get one blurry snapshot and that’s all. Yes, it’s cynical and not too subtle, but it also sounds promising – just ordered a copy for our upcoming seminar.
https://bycat.ch/
https://www.wired.de/collection/latest/bycatch-macht-den-drohnenkrieg-zum-kartenspiel/
https://boingboing.net/2015/08/20/bycatch-card-game.html

I’m curious as to what the effect of playing really is – does it work? Is this a viable way to “get” the mechanics of contemporary warfare, as exercised by the West?

What I know is that humor is often the only way to confront a terrible reality. It distances you from it, and from that perspective allows you to see it for what it is. How fitting for a game about drones.

Bycatch game

May 2015: 1st Chaos Cologne conference @KHM, co-organized with CCC Cologne

Organized by Christian Sievers & Mathias Antlfinger/KHM together with Chaos Computer Club Cologne, taking over large parts of KHM for a weekend in May. We had over 550 visitors and around 45 speakers and performers, forming a good mixture of students, artists, hackers and makers. See http://chaos.cologne/ for the program.

Here are videos of the talks, performances and presentations: https://media.ccc.de/browse/conferences/chaoscologne/1c2/index.html or https://www.youtube.com/playlist?list=PL_IxoDz1Nq2Zo6s7JkBA48L6w3terUsFh

Mini_1Ladung_FIN

Transmediale: real life and media art, as seen by the press

Und dann waren da die Medienkünstler, ihrerseits verblüffend unerschütterlich in ihrem Glauben, dass es menschenfreundlichere Algorithmen schon richten werden, ein bisschen Open-Source-Software, etwas Netz-Dezentralisierung und ein paar ganz clevere technologische Subversiongesten. Sie nennen es “Gaming the System”. Warum nicht mal das Smartphone mit all den fiesen Tracking- und Fitness-Apps ein paar Tage lang auf eine Spielzeug-Drohne kleben oder an der Hauskatze festschnallen und so die Daten verzerren? Und warum nicht mal, wie die Künstlerin Jennifer Lynn Morone, sich selbst als Firma eintragen und so zum Gründer, CEO und Produkt seiner eigenen Daten machen, um sich aus der Ohnmacht gegenüber den Datensammlern zu befreien? Smarte Gesten waren das, und in ihrer kritischen Zuversichtlichkeit doch so erschreckend wie symptomatisch hilflos.

Und das ist noch eine wohlmeinende Kritik.