Author Archives: surveillantarchitectures

Summer Term 2017: The Body and the Network

The Body and the Network

A discussion and production seminar, geared to critically engage contemporary surveillance and control measures in artistic practice. The focus is on the development of new methodologies, identities, and narratives, especially those that cross diverse media in a performative way.

Building on the winter term’s „Systematic Observation and Recall“ the seminar will look at body extensions in societies of control and how they manifest in networked media. This includes art works, network activity, performances or videos that reconfigure, refocuse and recontextualize current technologies of connection and display.

We will investigate new transient cultures of extending and marking the body for security, surveillance, pleasure and storytelling, and contemporary platforms for live display including the theatre, the databank and the MAX Patch.

Workshops:
Raspberry Pi Basics
A practical workshop with help from Martin Nawrath to configure and install network devices with the Raspberry Pi as a basis. Aimed at all experience levels, the workshop will introduce the basics of networking technology, the command line, scripting and automation, as well as working with external sensors.

Media for Live Events
Building on this, there will later on in the term be the opportunity to work with Prof. Larry Shea, from School of Drama, Carnegie Mellon University. In this several-weeks long workshop we‘ll use the new skills to imagine and build new networked and sensor-based set-ups for installations, performances and open scenarios, working towards Rundgang.

Mid Term Review: 9 &10 May 2017

Excursion to opening days of documenta 14

Required reading
– Nervous Systems, HKW Berlin, 2016, introduction by Anselm Franke, Stephanie Hankey and Marek Tuszynski (online)
– Out of Body, Skulptur Projekte Münster, 2016: The Body of the Web (online)
– Surveillance, Performance, Self-Surveillance. Interview with Jill Magid by Geert Lovink (online)
– Flesh and Stone, The Body and the City in Western Civilization, Richard Sennett, New York, 1994

Invited speakers
Geert Lovink: Medienkatastrophe, 20.4., 18 h, Aula
Simon Denny: Medienkatastrophe, 26.4., 19 h, Aula
Mark Bain
Prof. Larry Shea (June-July)

poster by Nikolai

The Fields Have Eyes, The Woods Have Ears. 1546 – 1933

Unbekannter Stecher (Niederländisch), Das Feld hat Augen, der Wald hat Ohren, 1546, Holzschnitt, koloriert. © Kupferstichkabinett, Staatliche Museen zu Berlin _ Foto- Jörg Anders
Unbekannter Stecher (Niederländisch), Das Feld hat Augen, der Wald hat Ohren, 1546, Holzschnitt, koloriert. © Kupferstichkabinett, Staatliche Museen zu Berlin _ Foto- Jörg Anders

 

From the announcement to a show at the Museum für Fotografie in Berlin. The catalogue is in the library now, including this incredible etching:

Jacques Callot, Le Ciel veille pour toy (Der Himmel wacht fuer Dich / The Heaves watch out for you), 1628, Kupferstich. (c) Kupferstichkabinett, Staatliche Museen zu Berlin _ Foto- Dietmar Katz

Paranoia is not a recent invention. The essay in the book is drawing a direct line from the all-knowing eye of god to the eye of the law.

The same thing is being done in more depth in an excellent essay by Gerhard Paul, tracing the visual history of eyes over the course of the last 3000 years of Western history. https://www.visual-history.de/2016/10/02/video-oder-was-haben-die-berliner-verkehrsbetriebe-bvg-mit-homer-zu-tun/

From Gerhard Paul‘s essay: “see everything with Hollerith punch cards”, an ad from 1933/34:

Uebersicht-mit-Hollerith Plakat-Werbung 1933_34 der Firma Dehomag für Hollerith-Lochkarten, auf denen die Volkszählung von 1933 aufbereitet und ausgewertet wurde. Quelle- Slg. G. Paul
Uebersicht-mit-Hollerith Plakat-Werbung 1933_34 der Firma Dehomag für Hollerith-Lochkarten, auf denen die Volkszählung von 1933 aufbereitet und ausgewertet wurde. Quelle- Slg. G. Paul

Those Hollerith machines were later being put to extensive use a few years later.