security

democracy…

http://www.spiegelfechter.com/wordpress/1094/eine-gute-frage
wenn Menschen vor die Wahl gestellt werden, ob sie sich für Etwas in den
Folgen Kalkulierbares, Überschaubares entscheiden sollen,
oder für etwas Unsicheres, Unabsehbares, dann neigt die Mehrzahl dazu,
sich für das Kalkulierbare, das Überschaubare zu entscheiden.
Sogar wenn absehbar ist, daß das Resultat mit Sicherheit niederträchtig
und miserabel sein wird.
Das Unkalkulierbare meiden die Meisten, sogar wenn etliche in Frage
kommenden Faktoren weitaus besser sind, als das sichere Schlechte……
Ich frage mich oft, was überwiegt: Der Fatalismus, die Dummheit oder die
gedankliche Bequemlichkeit…..

Da wagt es doch tatsächlich ein holländischer Journalist, der Merkel
eine “nicht vorgesehene” Frage bei der Pressekonferenz zu stellen,
was sich von den gekauften deutschen Journalisten keiner mehr traut…..
sehr delikat…….
Im erhaltenen Originaltext hieß es “und wir dummes Volk haben die auch
noch gewählt”
-da mußte ich einhaken- denn ich habe sie nicht gewählt und gehöre ja
auch zum (dummen) Volk….

safeliving: Minority Report on the Buses

CCTV security systems could soon spot an assault on a bus before it happens, according to a major research project.The system, part of which has already been tested in laboratory conditions, looks for suspicious behaviour associated with crime. It would be able to send live CCTV pictures to operation rooms, from where controllers would be able to intervene. The Queens University Belfast team say the software could make a significant impact on crime on transport. Although much of the work is currently at the theoretical stage, the team from the university’s newly-founded Centre for Secure Information Technologies predict that within five years their software will be able to profile people as they board a bus.

http://safeliving.wordpress.com/2009/10/03/minority-report-on-the-buses/

Exhibition: APPEARANCE / AUFTRITT @ EUROPEAN KUNSTHALLE, Ebertplatz Cologne

APPEARANCE / AUFTRITT  september 11th – october 10th 2009
introducing
JULIA SCHER
„Predictive Engineering (Audio)“, 2009
september 11th – 17th 2009
opening friday september 11th 2009, 7 pm

“Appearance / Auftritt” is the title for the European Kunsthalle’s program at Ebertplatz in September/October 2009. In weekly change, four internationally renowned artists – Julia Scher, Katja Davar, Miriam Bäckström und Yane Calovski – appear in a series of short exhibitions. Presented within the context of the European Kunsthalle c/o Ebertplatz, the projects resonate in an interesting way.

Julia Scher’s audio installation “Predictive Engineering (Audio)”, 2009, is the starting project. A mixture of seduction and authoritarian commands, a disembodied female voice evokes various imaginary zones in order to instruct passers-by “collective security”. Referring to various surveillance and control techniques, “Predictive Engineering (Audio)”, 2009, critically reflects the widespread promise that these technologies allow us to steer and construe human behaviour.

http://www.eukunsthalle.com/186.0.html

SHU (Blue Hour Lullaby) by Philipp Lachenmann

SHU (Blue Hour Lullaby), 2002/07

A remote high security prison in the desert during the blue hour. The compound prepares for the night, the lights are gradually switched on. Simultaneously to the illuminating on the ground approaching aircraft lights appear in the evening sky, one after the other, slowly accumulating, hovering, floating.
SHU ( SHU – Security Housing Units) was partly inspired by the famous Walt Disney movie logo of Sleeping Beauty Castle.

16mm & high definition video HDV, color, sound, 12’30” (loop)

SHU (Blue Hour Lullaby) is officially selected for the 35th Seattle International Film Festival SIFF (May 21–June 11), as part of the Alternate Cinema program, screening May 22-30, 2009.

Affirmation Arts

Affirmation Arts is pleased to announce Surveillance, a group show curated by Rachel D. Vancelette, featuring artists: Yasmine Chatila, Tomory Dodge, Jeffrey Gibson, Charles Harlan, Shin il Kim, Caitlin Maloney and Angelo Plessas.

Surveillance” is defined as “close or vigilant watch over someone or something,” and derives, by way of the French veiller, from the Latin term vigilare, meaning “to keep watch.”  Artists have historically been the gatekeepers of society’s public accounts, and today they continue to mirror our daily lives. Whether it is through the Internet, virtual social networking, photography, painting, or multimedia-based technologies, artists are always interrupting and interpreting the reality of today’s information age.

Surveillance presents the diverse studio practices of seven artists who remindus all that they are indeed keeping watch over this explosive and public exchange of information. In recent years the continual bombardment of virtual information has radically transformed the world, and these artists are among those who are constantly redefining its boundaries and content. The necessity and proliferation of surveillance techniques have become a large part of our everyday lives. Whether or not our society at large is conscious of these invasions and observations, it is clear that this diverse group of artists is engaging and addressing these critical issues.

In an age where the excess of information has produced false, invasive, and voyeuristic avenues in both the private and public domain, these artists remind us of the daily observation, private moments, intimate encounters, and public cyberworld of virtual activities. Multiple conceptual vocabularies of art are coming full circle with the use of new technologies and materials. These artists are employing both traditional and nontraditional techniques, evoking a transformative intervention while providing a gateway for the viewer’s engagement.

http://www.affirmationarts.com/

Digitized Documents and Films of the Hungarian State Security

allambiztonsag

OSA Archivum is digitizing records on the structure and modus operandi of the Hungarian state security and other repressive organs of the communist regime. These have been obtained under strict scrutiny by private persons and researchers from various Hungarian archives, particularly from the Historical Archives of the Hungarian State Security and its predecessors. By uniting the fragmented, scattered and often artificially separated files, we hope to give a full picture of the activities and culture of the former state security organs.

Over the past few years, OSA Archivum has initiated the digitization and online presentation of several collections of state security documents. Among these are over 200 educational and propaganda films from the film studio of the Hungarian Ministry of the Interior, as well as over 10,000 pages of the Collection of Directives from the same ministry.

For more information, visit http://www.osaarchivum.org/updates/2007/2007-10-17-hu.shtml.

Taken from: http://www.osaarchivum.org/index.php?option=com_content&view=article&id=148%3Adigitized-documents-and-films-of-the-hungarian-state-security&catid=56%3Acurrent-news&Itemid=81〈=en