metropolitan studies

VOGELSANG OFFSITE INTERVENTION (2009)

about memory, art, public space

The context-giving programme for the interventions in Vogelsang will start january 20th / 07.00 pm / in the aula or room2 of KHM: “Konversion(en)/Conversion(s)” a panel with Astrid Wege (European Kunsthalle Cologne) and Barbara Hess.

A lecture by Celeste Olalquiaga on ruins and melancholia will take place january 27th / 07.00 pm / in the aula or room2 of KHM: „Modernity in Ruins” – About the fall of modernity’s utopian dream and the fate of its ruins by Celeste Olalquiaga.
Celeste Olalquiaga is a cultural historian interested in the contradictions of modernity and the residual aspects of modern culture. She has proposed kitsch as the decayed cristallization of an imaginary experience. Currently at work on a re-examination of the myth of Medusa, she is also studying the evolving boundaries between nature and technology. An independent scholar, Celeste publishes, lectures and does artistic collaborations worldwide.
Her books include Megalopolis:Contemporary Cultural Sensibilities . (1992) and The Artificial Kingdom:.A Treasury of the Kitsch Sensibility.(1998).

background reference http://de.wikipedia.org/wiki/Ordensburg_Vogelsang

contact reference http://www.euregionale2008.eu

visiting program http://www.vogelsang-ip.de

Freedom Not Fear 2008

Freedom Not Fear 2008

On 11th October 2008 we call for an international action day in as many European capital cities as possible and elsewhere around the world to demonstrate against the total retention of telecommunication data and other instruments of surveillance. We would like to recall the remembrance of the historical achievement of civil rights and liberties as a heritage of the Age of Enlightenment and to support the trust in security in our free society.
online

Buero fuer Unabwaegbarkeiten at ars electronica, Linz, austria

The MobileLab is a wagon moved by hand; it contains various tools and devices as well as an electrical supply. Recording & playback devices will be used to initiate a dialog
between the Linz cityscape and what’s transpiring at the festival. Current measurements taken in Linz as well as documentation and results of previously-conducted
investigations will flow into the Bureau’s ever-growing pool of data, which will be accessible via a Web-based archive displayed as a wiki. This structure enables users
not only to access the Bureau’s data but also to revise it any way they want, use it for other purposes, or develop it further.

Please join the wiki

http://www.khm.de/~bfu

Giant 'telescope' links London, New York

In all its optical brilliance and brass and wood, there stood the Telectroscope: an 11.2-meter-(37 feet) long by 3.3-meter-(11 feet) tall dream of a device allowing people on one side of the Atlantic to look into its person-size lens and, in real time, see those on the other side via a recently completed tunnel running under the ocean. (Think 19th-century Webcam. Or maybe Victorian-age video phone.)

http://edition.cnn.com/2008/WORLD/europe/05/22/scope.project/index.html

Patching You Through to the Dark Side

Patching You Through to the Dark Side
“Creative geographer” Trevor Paglen began his research on the U.S. Military’s secret “black sites” as a way of investigating a new form of domestic colonialism in which the uncharted bases (think Area 51) were taking over the landscape of much of the Southwest. He began mapping and monitoring these sites, from afar, perfecting his beautiful Limit Telephotography process and taking people on tours of the regions. But soon the tactical media artist began to discover a subculture of workers employed at these sites–workers who, despite the heavily-enforced veil of secrecy surrounding their work, have formed social organizations, attend alumni dinners, and even hand out awards to each other for secret jobs well-done. As he began to infiltrate these groups, in the process of expanding his ! research to cover topics such as the CIA’s extraordinary rendition flights, Paglen started collecting patches used by these veritable grown-up boy scouts to identify their fraternal clans. Paglen’s new book I Could Tell You but Then You Would Have to Be Destroyed by Me: Emblems from the Pentagon’s Black World documents the mysterious iconography and deciphers the bravado. The book is named after one particularly cryptic patch I Could Tell You But Then You Would Have to be Destroyed by Me, a phrase which accurately conveys the anonymity! surrounding the participants in these societies. Another favo! rite fea tures the emblem of an alien head and says, in Latin, “tastes like chicken.” Accompanying the book is a website, compiled by Paglen, extensively cataloguing the patches, augmenting and annotating the published text, and offering readers additional texts and interpretive sources. It seems befitting that Paglen would make such use of the internet, invented by the U.S. government, to publicize information about its own cloaked networks. Log-on and see if you can help him unravel the mystery of the NRO Dragon Patch. – Marisa Olson
http://www.paglen.com/tellyou/index.htm
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iKatun

ikatun

Free Fear from the USA (if you take it)

Vancouver, 2007

Part of Participatory Dissent, curated by Natalie Loveless for the Western Front.
In October 2007, the Institute for Infinitely Small Things reverse-shoplifted over 40 copies of The New American Dictionary: Security/Fear Edition into bookstores and educational institutions in Vancouver, BC. The dictionary catalogs over 60 terms related to fear and security which have entered American English since 9/11, including new terms (“freedom fries”, “islamofascist”) and old terms which have been redefined (“torture”). The books are now available for free in select Vancouver locations or on amazon.com for $19.95.

http://www.ikatun.com/