technology

Ernst Schering Foundation: Cloud Core Scanner – In the Troposphere Lab

Cloud Core Scanner – IN THE TROPOSPHERE LAB of Agnes Meyer-Brandis

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info [at] scheringstiftung [dot] de

www.scheringstiftung.de

January 15, 2009 – February 27, 2010

Opening Hours: Monday through Saturday, 11 a.m. – 6 p.m.
Free Admission

Clouds, their formation and their substance, have long been a much-discussed topic in art and science. For artist Agnes Meyer-Brandis (Cologne, studies of mineralogy and sculpture), it was thus a unique opportunity to be invited by the German Aerospace Center to participate in one of its zero-g flights, which are primarily reserved for scientific purposes, and to work under conditions of temporary weightlessness on her art project ‘Cloud Core Scanner.’

Her current installation IN THE TROPOSPHERE LAB provides insights into the material produced under conditions distant from earth. The exhibition tells of the formation of clouds and shows conditions and combinations of art and science during zero gravity.

LECTURE PROGRAM
By supporting projects in frontier areas and at the interfaces of traditional disciplines, the Ernst Schering Foundation wants to pave the way for new ideas and thoughts. To this end, the foundation has organized a lecture program in conjunction with the ‘Cloud Core Scanner’ project and invites to use the discussion as a background for discussions with scientists working in aerosol (cloud) research. For topics & dates please have a look at: www.scheringstiftung.de

CONTEMPORARY TRAVELING MOVIE SHOW
During the exhibition, the Sophiensaele in Berlin-Mitte present Agnes Meyer-Brandis’ ‘MAKING CLOUDS, or ON THE ABSENCE OF WEIGHT – A Contemporary Traveling Movie Show’ on February 5 and 6, 2010. A combination of film, performance and lecture, the traveling movie show unites contemporary art with quite surreal forms of science. More information: www.sophiensaele.com

MIT wins $40,000 prize in nationwide balloon-hunt contest

http://www.cnn.com/2009/TECH/12/05/darpa.balloon.challenge/index.html

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(CNN) — A team from the Massachusetts Institute of Technology won $40,000 in a high-tech scavenger hunt on Saturday by discovering the location of 10 red weather balloons.

The Defense Advanced Research Projects Agency announced that the MIT team was the first group in the contest to report the latitude and longitude coordinates of all 10 balloons, which were scattered across the United States.

DARPA is the U.S. military’s research arm. Saturday’s challenge is the latest in a series that the agency has hosted since 2004.

This contest was designed to test the way social networking and lesser-known Web-based techniques can help accomplish a large-scale, time-critical task.

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short text : Living in High Definition by Peter Beyer

“Living in High Definition”

Peter Conrad Beyer
Kinosaal

Living in High Definition by Peter Conrad Beyer

In einem menschenleeren futuristischen Ambiente wird die Sprache des Turbokapitalismus beschrieben, die eine immer effizientere Steigerung des Kapitals fordert. Menschlichkeit wird hintenangestellt bzw. durch die scheinbar evolutionäre Technik ausgeglichen. Im sound erklingt eine Nachrichtensendung, dessen Inhalt die Situation wiederspiegelt in der wir uns befinden.

Sprecherin : Corinna Siebert
Material:  16mm auf DVD
Laufzeit : 5 Minuten als Loop dauerhaft installiert über den gesamten  Ausstellungszeitraum

CfPP / Virtual Vogelsang by Theresa Krause

Virtual Vogelsang

Im Rahmen der künstlerischen Intervention der Gruppe CfPP (Center for Public Practice) auf dem ehemaligen NS-Elite-Ausbildungslager Vogelsang entstand ein virtueller Nachbau des Geländes in Second Life. Internet Nutzer haben hier die Möglichkeit, Vogelsang zu besuchen und digitale Darstellungen der Arbeiten der Künstler schon vorab zu betrachten. Darüber hinaus wird der verborgene Ort Vogelsang der Öffentlichkeit via Internet zugänglich gemacht.
Das virtuelle Vogelsang ist ein 3D-Modell im Maßstab 1:10. Es ist kein originalgetreuer Nachbau aller Gebäude, hat aber den Anspruch, dem virtuellen Besucher den Eindruck zu vermitteln, den ein realer Besucher, der Vogelsang im Jahre 2009 betritt, erhält. Die Architektur des totalitären Nazi-Regimes, das “Geleitet werden” durch Architektur, die Spuren verschiedener Besatzungsmächte und die heutige Nutzung als Informationszentrum und Nationalpark-Wanderer-Ziel. Wie auch Second Life ist das reale Vogelsang heute ein neu erschlossener Raum, der Fragen aufwirft und sich definieren muss.

Besichtigen Sie Vogelsang online! Installieren Sie das Programm Second Life auf Ihrem Computer (Download unter http://secondlife.com/support/downloads.php). Loggen Sie sich mit den folgenden Daten ein und erkunden Sie die virtuelle Welt:

Vorname: Shared
Name: Galaxy
Passwort: openavatar

* Shared Galaxy ist ein Projekt von Theresa Krause, 2009

Exhibition: APPEARANCE / AUFTRITT @ EUROPEAN KUNSTHALLE, Ebertplatz Cologne

APPEARANCE / AUFTRITT  september 11th – october 10th 2009
introducing
JULIA SCHER
„Predictive Engineering (Audio)“, 2009
september 11th – 17th 2009
opening friday september 11th 2009, 7 pm

“Appearance / Auftritt” is the title for the European Kunsthalle’s program at Ebertplatz in September/October 2009. In weekly change, four internationally renowned artists – Julia Scher, Katja Davar, Miriam Bäckström und Yane Calovski – appear in a series of short exhibitions. Presented within the context of the European Kunsthalle c/o Ebertplatz, the projects resonate in an interesting way.

Julia Scher’s audio installation “Predictive Engineering (Audio)”, 2009, is the starting project. A mixture of seduction and authoritarian commands, a disembodied female voice evokes various imaginary zones in order to instruct passers-by “collective security”. Referring to various surveillance and control techniques, “Predictive Engineering (Audio)”, 2009, critically reflects the widespread promise that these technologies allow us to steer and construe human behaviour.

http://www.eukunsthalle.com/186.0.html

Challenging Space in the Era of Google Maps

Workshop by artist Michelle Teran – Fri 4th Sep
XIV biennial of Young Artists in Skopje, Macedonia

Trampoline will host the workshop “Challenging Space in the Era of Google Maps” run by Canadian artist Michelle Teran who will guide a group of 15 participants through practical, participatory and theoretical examples of the way that the use of advanced location based technologies in cities has given rise to an emergent form of physical terrain that we can call hybrid space.

During the 6 hour long workshop, the participants will be taken on an exploration of the city (via the internet and via a city walk) in a hunt for local broadcasts tracked via YouTube and Google Maps. Finding them, mapping them, understanding the narrative – Michelle and Trampoline’s Mat Trivett will weave together a new mesh of ideas from the threads connecting hybrid spaces.

The participants are invited to bring their digital devices. For registration, please contact the BJCEM Biennial Team directly.

Fri 4th Sep / 1-7pm at Creativity House, Conference Room, Skopje, Macedonia

http://www.bjcem.org/default.asp
  Biennial website
http://issuu.com/bjcem/docs/creativity_house_programme_04_09 Biennial Schedule
http://www.ubermatic.org/misha/ website Michelle Teran

long wave (2009) by D. Rokeby

“long wave” is a materialization of a radio wave, a normally invisible, but constantly present feature of environment. It represents the length of a radio wave in the short-wave radio band, in between the sizes of AM and FM radio waves. In our contemporary wireless environment, populated by tiny centimeter long wifi transmissions, these radio waves are really the dinosaurs of our communications era. Appropriately, “long wave” also resembles the suspended backbone of an oversized brontosaurus.

online source

Affirmation Arts

Affirmation Arts is pleased to announce Surveillance, a group show curated by Rachel D. Vancelette, featuring artists: Yasmine Chatila, Tomory Dodge, Jeffrey Gibson, Charles Harlan, Shin il Kim, Caitlin Maloney and Angelo Plessas.

Surveillance” is defined as “close or vigilant watch over someone or something,” and derives, by way of the French veiller, from the Latin term vigilare, meaning “to keep watch.”  Artists have historically been the gatekeepers of society’s public accounts, and today they continue to mirror our daily lives. Whether it is through the Internet, virtual social networking, photography, painting, or multimedia-based technologies, artists are always interrupting and interpreting the reality of today’s information age.

Surveillance presents the diverse studio practices of seven artists who remindus all that they are indeed keeping watch over this explosive and public exchange of information. In recent years the continual bombardment of virtual information has radically transformed the world, and these artists are among those who are constantly redefining its boundaries and content. The necessity and proliferation of surveillance techniques have become a large part of our everyday lives. Whether or not our society at large is conscious of these invasions and observations, it is clear that this diverse group of artists is engaging and addressing these critical issues.

In an age where the excess of information has produced false, invasive, and voyeuristic avenues in both the private and public domain, these artists remind us of the daily observation, private moments, intimate encounters, and public cyberworld of virtual activities. Multiple conceptual vocabularies of art are coming full circle with the use of new technologies and materials. These artists are employing both traditional and nontraditional techniques, evoking a transformative intervention while providing a gateway for the viewer’s engagement.

http://www.affirmationarts.com/