art positions & projects

Werkschau Kenneth Anger | 08.03.2010 | 15.03.2010 | BLACK BOX Düsseldorf

 Werkschau Kenneth Anger | 08.03.2010 | 15.03.2010 | BLACK BOX Düsseldorf

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Programm

alle Veranstaltungen finden statt in der
BLACK BOX im Filmmuseum, Schulstraße 4, Düsseldorf-Altstadt

Montag 8. März 2010 | 18:30 Uhr
“Anger me”

USA 2006, 72’, OF, Blu-ray
R.: Elio Gelmini, mit Kenneth Anger, Jonas Mekas

Full HD-Projektion (technische Unterstützung: SIGMA Düsseldorf)

mehr >>

Montag 8. März 2010 | 20:00 Uhr
Filme von Kenneth Anger (1)

Das Programm:
Fireworks (USA 1947, 16’36) / Puce Moments (USA 1949, 6’29) / Rabbits Moon
(USA 1950/ 71, 7’02) Eaux d´Artifice (USA 1953, 13’13) / Inauguration of the
Pleasuredome (USA 1954, 38’). Alle Filme: OF, Blu-ray

Full HD-Projektion (technische Unterstützung: SIGMA Düsseldorf)

mehr >>
Montag 15. März 2010 | 18:00 Uhr
“One Plus One”

GB 1968, 101’, OmU, DVD
R.: Jean-Luc Godard, mit Mick Jagger, Keith Richards, Brian Jones, Bill Wyman,
Charlie Watts, Marianne Faithfull, Anita Pallenberg, Anne Wiazemsky

mehr >>

Weitere Informationen

www.imaionline.de


www.filmwerkstatt-duesseldorf.de

Sun Valley Center for the Arts presents I Spy: Surveillance and Security

I Spy: Surveillance and Security
Feb 26 – Apr 30, 2010

Sun Valley Center for the Arts
191 5th Street East
Ketchum, Idaho
208.726.9491

http://www.sunvalleycenter.org

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I Spy: Surveillance and Security, a multidisciplinary project of the Sun Valley Center for the Arts, examines the relationship between surveillance, security and privacy in the early 21st century. A visual art exhibition is on view from February 26 through April 30.

The attempted bombing on Christmas Day of a Detroit-bound flight reopened the urgent national conversation about security and surveillance that has been going on since September 11, 2001. Government today has unprecedented access into our lives. At the same time that we are debating how to balance civil rights against our need for security, corporations use hidden cameras and track our internet use to sell us their products. Millions of us willingly (or unwittingly) give up our privacy to participate in social networking sites like Facebook.

How has increased governmental and corporate intrusion into our lives shaped our assumptions about what is private and what is public? How has our definition of civil liberties changed? What effect has the Internet and the boom in social networking sites had on our behavior? Are we safer now than we were before?

The exhibition features work by artists Deborah Aschheim, Hasan Elahi, Trevor Paglen and Paul Shambroom.

Between 2003 and 2005, Deborah Aschheim created six installations she called Neural Architecture (a smart building is a nervous building). “Nervous systems” for architecture, these sculptural projects reflect our tendency to think about buildings in human terms. They also convey our ambivalence toward surveillance; technologies that initially seem invasive or Orwellian eventually become simple conveniences. The sculpture Aschheim presents in this exhibition is a recreation of one neural column from her earlier projects.

Hasan Elahi has made his everyday life part of his artwork. Erroneously targeted as a suspected terrorist and interrogated by the FBI, Elahi decided that his best defense was to open up his life to public and governmental scrutiny. Tracking Transience: The Orwell Project is an online database that documents his travels, finances and even the meals he eats on airplanes. For I Spy, Elahi is creating a timely installation that considers security and surveillance in the world of aviation. Tracking Transience: The Orwell Project is a project of Creative Capital.

The work of artist, writer and geographer Trevor Paglen explores the relationship between surveillance and security in a post-September 11th world. His long-distance photographs of secret military installations, badges from classified military programs and photos of U.S. spy satellites in orbit expose a world of secret operations and surveillance that sometimes exists in plain sight.

>From 2003 to 2007 Paul Shambroom photographed Homeland Security training environments like “Disaster City” in Texas and “Terror Town” in New Mexico. His images of personnel in their disaster gear, training in simulated settings, get at the difficulty we sometimes have discerning between legitimate security threats and paranoid fear. Shambroom is a 2001 Creative Capital Visual Arts grantee.

Related Programs

Lecture: Living in a Wired World: Can Personal Privacy Survive in the 21st Century?
by Frederick Lane
Attorney, author and technology expert
Wed, Mar 10, 7pm

Lecture: The Role of Surveillance in National Security
by John Lehman
Former Secretary of the Navy and member of the 9/11 Commission
Thu, Apr 1, 7pm

Pratt Manhattan Gallery presents Envelopes

March 5 – May 5, 2010

Pratt Manhattan Gallery
144 West 14th Street, 2nd floor
New York, NY 10011

http://www.pratt.edu

Pratt Manhattan Gallery presents “Envelopes,” an exhibition exploring new and sustainable potentials of the architectural surface in terms of the skin of a building and also as a sensorial space that envelops the body. “Envelopes” will feature full-scale, interactive models accompanied by architectural renderings in the form of drawings and computer animations, and documentation of the process of investigation into these models from eight international firms and designers. The exhibition will run from March 5 through May 5, 2010 and will be celebrated with an opening reception on Thursday, March 4 from 6–8 PM. The exhibition and opening reception are free and open to the public.

“Envelopes” is guest curated by Christopher Hight, an associate professor at Rice University’s School of Architecture. At Rice, Hight pursues design research on the nexus of landscape, ecology, and emerging forms of urbanization. He is the co-editor of AD: Collective Intelligence in Design (Academy Press, 2006), Heterogeneous Space (Wiley, 2009), and has recently published a book on cybernetics, posthumanism, formalism, and post-World War II architectural design titled Architectural Principles in the Age of Cybernetics (Routledge, 2008).

Hight conceived of “Envelopes” as a way to explore architectural skin as a site for enveloping nature and culture, object and subject, and of problematizing the boundary of interior and exterior. “Issues of sustainability and ecology raise many conceptual and design issues about the nature of the boundary between body, building, and larger environments,” said the curator. “The architects in ‘Envelopes’ are all exploring relationships between systems—human, animal, plant, and energy flow—as a site for architectural innovation in the 21st century,” he added.

Hight’s inspiration for the exhibition title and concept originated from parallels between the envelope of a building and the envelope of human skin; the building envelope repeats the metaphor of the building as a body and as a prosthetic second skin that allows human beings to exist within a hostile environment.

Inspired by early 20th century biologist Jacob von Uexkull and his interest in how living beings relate to and perceive their environment, the title of the show refers to the role of the building envelope and the idea of envelopment of one’s body and senses within a larger environment.

Participating architects and architecture firms include:

!ndie Architecture, a Denver-based firm that engages in a range of architectural and urban questions through research projects and practice, with a specialization in digital and industrial technology, housing, and suburbanism; Future Cities Lab, an interdisciplinary design and research collaborative bridging architecture and landscape urbanism with material sciences, robotics, and engineering HouMinn Practice, a Houston-based firm recognized for its research and innovative design whose collaborative efforts reach beyond the discipline of architecture; Mary Ellen Carroll/MEC design studios, a New York-based conceptual artist; Michael U. Hensel and Defne Sunguroğlu Hensel are research directors and board members at OCEAN, an the international, interdisciplinary, and independent research firm that conducts research by design in the intersection between architecture, design, music, and science with the goal of improving the current built enviro nment and anthropobiosphere; Philippe Rahm, an architect who practices out of Paris and Lausanne and focuses on ‘meterological’ architecture; servo, an international research and design collaborative that focuses on the development of architectural environments through the proliferation of electronic and digital equipment and interfaces; Weathers, a Chicago-based environmental design office that studies social, spatial, and organizational structures and their implications to lifestyle and environment.

“Envelopes” is made possible by part by grants from the National Endowment for the Arts; with public funds from the New York State Council on the Arts, a state agency; and the Cultural Services of the French Embassy in the United States.

For information, call 212-647-7778 or email exhibits [at] pratt [dot] edu or visit http://pratt.edu/exhibitions

Add Pratt Manhattan Gallery on Facebook by searching “Pratt Manhattan Gallery” and follow Pratt Exhibitions on Twitter at “PrattGallery.”

Inversiones: Arte + Intercambios + Transacciones

Exhibition in Medellín, Colombia features work by the Institute for Infinitely Small Things & an artist talk by kanarinka

http://www.ikatun.org/kanarinka/corporate-commands/

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Opening reception/Inauguración: 7PM Feb 18, Palacio de la Cultura Rafael Uribe Uribe, Medellín
kanarinka artist talk/charla: 4PM Feb 17, Museo d’Antioquia, Medellín
INVERSIONES is a curatorial project that conducts research about art and its economic implications, through the exploration of concepts such as exchange, investment and transaction, roles and offices mediated by artists, appropriation and resignification of trade marks, consumerism strategies, circulation and collectionism. The relationships between communities and artists within the Central-Western Region: including the Colombian states of Antioquia, Caldas, Risaralda and Quindio interact with other artists and communities around the world, proposing alternative ways to articulate ideas regarding art, economy, society and representation.
INVERSIONES: [arte + intercambios + transacciones] es un proyecto curatorial que propone una investigación y reflexión sobre el arte y sus implicaciones económicas, a través de la exploración de los conceptos de intercambio, inversión y transacción, roles y oficios mediados por artistas, apropiación y resignificación de marcas, estrategias de consumo, circulación y coleccionismo, así como de las relaciones entre comunidades y artistas en la región Centro Occidente: departamentos de Antioquia, Caldas, Risaralda y Quindío, y de estos, con otros que operan en diversos lugares del mundo, quienes presentan diversas alternativas de articulación y problematización de los supuestos de arte, economía, sociedad y representación.
Inversiones is curated by/Equipo curatorial: Analida Cruz, Femke Lutgerink, Adriana Ríos & Carlos Uribe

Emily Katrencik, "Consuming 1.956 Inches Each Day For 41 Days"( 2005)

http://techtv.mit.edu/videos/4837-emily-katrencik-consuming-1956-inches-each-day-for-41-days-2005//
Emily Katrencik, “Consuming 1.956 Inches Each Day For 41 Days” ( 2005)
Documentation of a performance where 1.956 cubic inches of a wall in an art gallery in Brooklyn, New York is consumed each day for 41 days until a space in the gallery wall, large enough to fit ones head through, is opened up between the gallery and the gallerist’s adjacent bedroom. Visitors to the space are offered fresh bread which contains bits of the gypsum–to help take an active position in the consumption of architecture.

SFC Shoah Film Collection 2010

On occasion of the 65th anniversary of the Liberation of the Concenctration Camp of Auschwitz – 27 January 1945-2010, VideoChannel & A Virtual Memorial Foundation launched the “SHOAH Film Collection” (SFC) – an ongoing collection of art films and videos reflecting the topic of SHOAH, which is planned to become the basis of the future exhibition project “Draft Title: SHOAH” – http://dts.engad.org – at a later stage.

Thanks to Bojana Romic (Serbia) for being curator in SFC.

http://dts.engad.org/sfc-index.html

SUBVERSIVE EXCERPTS, January 29 – February 28, 2010

http://www.trafo.hu/programs/1866

The Center for Culture and Communication Foundation in Budapest, partner of the exhibition “Subversive Practices”, which was on view at Württembergischer Kunstverein in summer 2009, presents an excerpt from this project in collaboration with Trafo Gallery.

The exhibition includes work by the artists and artist groups Carlos ALTAMIRANO; Collective Actions; Taller E.P.S. Huayco; Ion GRIGORESCU; Claus HÄNSEL; Indigo Group; Letícia PARENTE; Luis PAZOS; Dan PERJOVSCHI;
Pere PORTABELLA; Ruth Wolf- REHFELDT; Herbert RODRIGUEZ und Horacio ZABALA.

The exhibition devotes itself to experimental and conceptual art practices that had established between the nineteen-sixties and eighties in Europe and South America under the influence of military dictatorships and communist regimes. The focus is on artistic practices that not only radically question the conventional concept of art, the institutions, and the relationship between art and public, but that have, at the same time, subversively thwarted structures of censorship and opposed the existing systems of power.

Transient Spaces – The Tourist Syndrome

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Lecture by Magdalena Taube and Krystian Woznicki

26.01.2010, 20:30 h

Where exactly is paradise? Where is home? Who are the explorers? Who gets discovered? In today’s world, there are no clear answers to these questions.

In modernity the world was defined by way of a geographical outside, paradisal lands located beyond the networks of European expansion. The outside functioned as a counterpart that gave structure to the inside and helped shape its boundaries. In the early 21st Century this classical outside is disappearing and the world, at least in its previous form, is imploding and reforming.

The journey has already begun.

Magdalena Taube (Berlin, literary scholar) and Krystian Woznicki (Berlin, cultural critic) have published the digital mini-feuilleton, berlinergazette.de, since 1999.

\BOOK\ byproducts: On the Excess of Embedded Art Practices

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byproduct examines artist’s projects whose artfulness lies in building micro-worlds within other non- artworld systems. While parasitically reliant on the socioeconomic structure and symbolic order of other dominant systems, these artworks ­ or “byproducts” — exploit loopholes, surpluses, and exceptions in order to affirm individual agency and complicate the mechanisms of their dominant “host.” As pivots or turning points between art and other sectors, these works function as carriers for meaning across disciplines.

While responding to 20th century precedents that investigate the relationship between artists and industry, ‘Byproducts’ suggests these outlines and vocabulary for evaluating relevant analytic criteria such as the outcome, duration, retention of a critical voice, assimilation or reconciliation, etc. As a book responding to the emergent genre of ‘interventionism’ in contemporary artists’ practices, byproducts shifts focus away from the artist’s singular, anarchic gesture and instead towards the integration of art into everyday life.

read more:

http://www.rev-it.org/projects/byproducts.htm