The inauguration of the monument took place September 1st 6 pm at Appelhofplatz 23-25.
The vernissage of the exhibition Amnésia took place August 21st 7 pm at NS-Dokumentationszentrum of the City of Cologne.
This is my Techno Image:
An open avatar on Second Life!
…interested in web2.0, in collective intelligence and the idea of a global democratic revolution that could come from cyberspace I created Shared Galaxy, an avatar on Second Life, that is free to use for everyone. (The password stands in his/her profile.) Shared has no gender yet, and no clothes…it’s just born and your turn to give him/her an identity…many minds creating one (virtual) person.
How to share:
1. Download Second Life on your computer:
http://secondlife.com/support/downloads.php
2. Install it and start the application.
3. Log in as
Name: Shared Galaxy
Password: openavatar
4. explore the virtual world, think about your identity and share your mind with everyone who shares Shared ;-)
“long wave” is a materialization of a radio wave, a normally invisible, but constantly present feature of environment. It represents the length of a radio wave in the short-wave radio band, in between the sizes of AM and FM radio waves. In our contemporary wireless environment, populated by tiny centimeter long wifi transmissions, these radio waves are really the dinosaurs of our communications era. Appropriately, “long wave” also resembles the suspended backbone of an oversized brontosaurus.
An international symposium on Instant Urbanism, Hospitality and Accelerated History.
August 3rd – 9th 2009
Deadline for registration: Monday, July 20th, 2009
Out of The Blue is an international symposium organized by The Blue House (Het Blauwe Huis) focusing on three main navigational strands in understanding experimental communities: Instant Urbanism, Hospitality and Accelerated History. Out of The Blue is as a discursive forum where a number of investigative questions will be articulated via workshops, intense dialogues, in-conversations, study sessions, public deliberation plenaries, performances, and discussions with a number of guests on stage.
The initiator and main organizer is The Blue House, a four-year durational project initiated in IJburg, a new city extension of Amsterdam. IJburg is a major new urban district being developed on a cluster of man-made islands to the east of Amsterdam city centre. The whole development is governed by a highly detailed plan, the implementation of which is strictly regulated.
In 2005, artist Jeanne van Heeswijk arranged for a large villa in housing ‘Block 35’ to be taken off the private market and be re-designated as a space for community research, artistic production and cultural activities. In cooperation with Dennis Kaspori and Hervé Paraponaris The Blue House has acted as a centre for artistic and cultural production and research into what happens when such a radical approach to urban planning and community development is employed.
Out of The Blue will take place in the future ‘Activity Centre’ on the island presently under construction. The still concrete structure will be used as a temporal public faculty, a 50-room motel and an amphitheatre. The design is made by Maartje Dros and Francois Lombarts.
The curator of the symposium is Yane Calovski. It is part of Blue House project ‘Parade of Urbanism’ from Jeanne van Heeswijk and Dennis Kaspori in collaboration with Floris van Heynsbergen.
Symposium program:
Instant Urbanism: All for the love of Instant Urbanism
Organized with Ana Dzokic and Marc Neelen (STEALTH.unlimited, Rotterdam / Belgrade).
‘All for the love of Instant Urbanism’ brings together a group of people involved with and troubled by the necessity for a more future oriented instant creation and collectivity in the city. It blends a workshop, performance and discussions with a number of guests on stage, while setting out for the slippery grounds of even newer horizons.
Participants will include: Tor Lindstrand and Mårten Spångberg, International Festival, Stockholm, Emiliano Gandolfi, Cohabitation Strategies, independent curator and architect, Rotterdam, Dubravka Sekulic, Belgrade / Jan van Eyck Academy, Maastricht / Santiago Cirugeda, Recetas Urbanas, Sevilla.
Hospitality: Hospitality, Privacy, Place
Organized with Dr. Johan Siebers (Institute of Germanic & Romance Studies School of Advanced Study, University of London).
‘Hospitality, Privacy, Place’ is a two-day workshop that will explore the dialectic between these concepts in the context of the question what it means to build and develop a community that can be a mirror of Europe, both mediating and shaping its course.
Participants will include: Peter Thompson, Sheffield University (concrete utopias), Aneta Krzemien, University of Central Lancashire (public dialogue), Volker Schneider, Speedliner Co. and Ernst Bloch Assoziation, Bochum (concrete utopia, urbanization), Maaike Engelen, London (psychoanalysis as cultural critique).
Accelerated History: Is Time Enough? Duration, Location and Accelerated Histories
Organized with Dr. Paul O’Neill (artist – curator and GWR Research Fellow in Commissioning with Situations, University of the West of England, Bristol).
This strand of the symposium takes a speculative look at how duration and the evolutionary process of time is conceived of as part of new cumulative approaches to artistic, organizational and curatorial praxis in response to a specific locations and contexts. Centered around a series of intense dialogues and in-conversations, this strand aims to unpack key issues relating Durational approaches to Participatory Praxis, Collaboration and Play, Communities and Social Engagement, Organizational Models and Networks, Critical Writing and Pedagogy.
Participants will include: Sally Tallant (Head of Programmes, Serpentine, London) and Jonathan Banks (Chief Executive, ixia – the UK national public art think-tank), curator Sophie Hope (co-founder of curatorial duo B+B, London) and Amsterdam based writer-curator Eva Fotiadi, artists Barbara Holub & Paul Rajakovics (Transparadiso, Vienna), Christoph Schaefer (Park Fiction, Hamburg), and Mick Wilson (Dean of GradCam, Dublin), writer and media theorist Ned Rossiter (author of ‘Organized Networks’) and Paul O’Neill with a writing workshop on duration led by Maria Fusco (Writer and Director of Art Writing, Goldsmiths, London).
Out of The Blue has been developed by The Blue House and a number of partner institutions including: Locating the Producers – an on-going collaborative research initiative between Situations at the University of the West of England, Bristol, ProjectBase in Cornwall and Dartington College of Arts / University College Falmouth and led by Dr. Paul O’Neill (www.situations.org.uk/research_ltp.html) and ECREA – European Communication Research and Education Association – Philosophy of Communication.
THU⁄FRI, July 9th and 10th 09
Improv Everywhere is known for their Performances in New York and their movies on You Tube. …
More under http:⁄⁄improveverywhere.com⁄.
If you want to partecipate to their mobile action in cologne please contact
christine [dot] nippe [at] koelnischerkunstverein [dot] de.
SATURDAY, JULY 4th – at 6PM
PANEL DISCUSSION – Free entrance
at the HAUS DER KULTUREN DER WELT
John-Foster-Dulles-Allee 10, 10557 Berlin – S Hauptbahnhof, S Unter den Linden, Bus M85, Bus 100
WHAT IS CHANGING?
Current changes arising contemporary audiovisual and cinematic practices, and crossing lines observed since about 10 years between cinema and contemporary art, seem to be not only an esthetical shift, but a very deep change related to a new audiovisual paradigm. During this discussion, different viewpoints will be crossed through actual examples.
Participants will talk about how they interpret this shift, and which are its stakes.
Géraldine Gomez – Centre Pompidou – Curator – Paris, France / www.centrepompidou.fr
Berta Sichel – Museo Nacional Centro de ArteReina Sofia – Director of the audiovisual department – Madrid, Spain / www.museoreinasofia.es
Valerie Smith – Haus der Kulturen der Welt – Head of Visual Arts Department – Berlin, Germany / www.hkw.de
Peter Weibel – ZKM Zentrum für Kunst und Medientechnologie – Director – Karlsruhe, Germany / www.zkm.de
with Vito Acconci, Johanna Billing, Olga Chernysheva, Song Dong, Anja Kirschner, Klara Lidén, Improv Everywhere, Cinthia Marcelle, Marjetica Potrè, Christine Schulz, Alex Villar, and Haegue YangCurated by Christine Nippe
27.06.–23.08.09
Everything, then, passes between us shows snap-shots of urban life. It asks how forms of public or of temporary communities can be produced nowadays. The artists question fragmentary aspects of metropolises in times of global turmoil and ask for actual ideas of community and collectivity in the cities. The exhibition, curated by Christine Nippe together with Kathrin Jentjens and Anja Nathan-Dorn, places its focus on artistic interventions and performances in global metropolises such as Beijing, Belo Horizonte, Berlin, Cologne, London, New York and Seoul, and shows The Metropolis and Mental Life, only one hundred years after Georg Simmel’s famous essay on the mentality of the inhabitants of big cities, published in 1903.The exhibition’s display and content correspond to the current state of flux and chaos. European borders are left behind, while the exhibition interconnects different places and observes global cities as laboratories of society. How space is structured, how people use it, how they move within it and how they interact are the core questions. The artists use ethnographic, mapping, and performance tactics to question the local logics. Sometimes they activate – although only for a short moment – transitory communities in public realms. For most performances interventions are used to expand reality and they often veer away from approaches from the nineties that designed alternative spaces and visions of a better future with the help of Michel Foucault’s concept of “Heterotopy.” The exhibition confronts the audience with situations in which the quest dominates the answers. The performances point out social gaps or possibilities for temporary “zones of contact“ rather than having answers at hand. Sometimes they grow into neurotic reflections of urban emotional structures, withdraw or lapse into a farcical activism. Some artists show persistence in their quest for different “communities of conflict” that have to develop in view of an economical and ecological decay.The selections of exhibited art works, as well as the exhibition’s title, were both inspired by ideas of the British art theoretician Irit Rogoff. She talks about a collective production of meaning that nowadays takes place through “intricate webs of connectedness” or hidden forms of participation rather than through the myth of defined communities. According to Rogoff, exhibitions can be seen as a space in which political appearances or “politics without a plan“ develop, enabling a performative potential if viewers develop their own focus, perspectives, and interpretations. Then, “acting without a model“ takes place. We become participants of a collective turmoil reminding us of the current situation in society, where Everything, then, passes between us takes place.
quoted from www
Open Call: The Tourist Syndrome Summer Camp, Palanga, 3 – 11 September 2009
Schwedenstrasse 16
13357 Berlin
Germany
Phone: 0049 30 46069107
Contact:
transientspaces [at] uqbar-ev [dot] de
www.transientspaces.org
Application deadline: 30 June 2009
Open Call for Applications (Deadline: 30 June 2009)
Transient Spaces – The Tourist Syndrome is an interdisciplinary project on the symmetries and asymmetries between contemporary tourism and migration, encompassing research, theory, practice, workshops, seminars, conferences and art exhibitions in Italy, Lithuania, Romania and Germany in 2009 and 2010.
The Tourist Syndrome Summer Camp, 3 – 11 September 2009
An integral part of the two-year project Transient Spaces – The Tourist Syndrome is the upcoming Tourist Syndrome Summer Camp held in Palanga (Lithuania), a renowned seaside resort on the Baltic Sea coast, from 3 to 11 September 2009.
The Tourist Syndrome Summer Camp invites artists, architects, cultural producers, theorists, and academics to an interdisciplinary dialogue and exchange on new forms of mobility today, with a special focus on the relationship between tourism and migration. The eight-day summer camp will offer a diverse programme of workshops, lectures and presentations, and will be open to a maximum of fifty participants to be selected through this Open Call.
The summer camp programme includes three main workshops held by international artists, practitioners and academics Cesare Pietroiusti (Rome/Venice), Krystian Woznicki (Berlin) and Michael Zinganel (Vienna/Graz), and an intense program of presentations, screenings and events by artists already involved in the project, and by the artistic directors and curators of Transient Spaces – The Tourist Syndrome. The workshops will highlight the many aspects of the tourism-migration relationship that exist in different European and non-European contexts and offer the opportunity to explore individual and subjective, as well as socio-political themes, with the goal of developing works of art and projects to be presented at the conclusion of the summer camp in Palanga and at the final, comprehensive exhibition in Berlin in 2010.
Structured as a collective brain storming session on the topics of tourism and migration, the Tourist Syndrome Summer Camp will also offer convivial and informal moments, drawing from the tradition of Socialist plein air symposia, combining work (artistic and intellectual production) and leisure. The summer camp is organized in cooperation with Lithuanian art organization Meno Parkas (Kaunas).
Participation in summer camp activities is free of charge.
The selected participants will be responsible for their individual journeys to the workshop location of Palanga. Basic accommodation (double or triple room) is provided to the summer camp participants by the organization.
Once selected, participants will need to transfer a registration fee of 50 Euro to the organization by 30 July (bank details will be provided).
The summer camp group will be limited to a maximum of fifty participants. The course language is English.
Free-form applications (in English) should include:
– statement / motivation letter (max 300 words)
– curriculum vitae
Supporting material, such as a portfolio, articles, publications, etc. can be included with the applications. The materials will not be sent back to applicants. Online applications are welcome.
Please specify in the application how you found out about this open call.
Applications for The Tourist Syndrome Summer Camp can be sent electronically or via post to uqbar by the deadline of 30 June 2009 (postmark) to the address:
uqbar e.V.
Transient Spaces – The Tourist Syndrome
Schwedenstr. 16
D – 13357 Berlin, Germany