{"id":384,"date":"2011-02-16T15:50:29","date_gmt":"2011-02-16T13:50:29","guid":{"rendered":"http:\/\/wordpress.khm.de\/sag\/?p=384"},"modified":"2011-02-16T15:50:29","modified_gmt":"2011-02-16T13:50:29","slug":"sag-2011-martha-rosler-meets-sag-cologne-may-16th","status":"publish","type":"post","link":"https:\/\/sag.khm.de\/?p=384","title":{"rendered":"SAG 2011: Martha Rosler meets SAG, Cologne May 16th"},"content":{"rendered":"<p>Martha Rosler is an artist who works with multiple media, including photography, photo-text, sculpture, video, performance, and installation. Her interests are centered on the public sphere and landscapes of everyday life\u2014actual and virtual\u2014especially as they affect women. Related projects focus on housing, on the one hand, and systems of transportation, on the other. She has long produced works on war and the \u201cnational security climate,\u201d connecting everyday experiences at home with the conduct of war abroad. Other works, from bus tours to sculptural recreations of architectural details, are excavations of history.<br \/>\nSome of her most noteworthy video works confront the world crisis of macropolitics and home, worker explotation, and propoganda.\u00a0 These works include:<br \/>\nChile on the Road to NAFTA (97); Prototype: God Bless America (06), If It&#8217;s Too Bad to Be True, It Could Be DISINFORMATION (85); A Simple Case for Torture, or How to Sleep at Night (83)<\/p>\n<p><a href=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2011\/03\/mr_2011-1.png\" title=\"Martha Rosler; 2011\"><img decoding=\"async\" src=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2011\/03\/mr_2011-1.png\" alt=\"Martha Rosler; 2011\" \/><\/a> <a href=\"http:\/\/art-agenda.com\/agenda\/view\/129\">http:\/\/art-agenda.com\/agenda\/view\/129<\/a><\/p>\n<p>Rosler has had numerous solo exhibitions.\u00a0If You Lived Here Still: An Archive Exhibition is a touring show based on If You Lived Here\u2026, a ground-breaking cycle of exhibitions and forums on housing, homelessness, and the built environment that she organized in 1989 at Dia in New York. Originating at e-flux gallery, in New York, it has recently been exhibited at CASCO Center for Art, Design and Theory in Utrecht, Netherlands and at present is at La Virreina in Barcelona. The Martha Rosler Library toured nationally and internationally in 2005-2009.<br \/>\nOther recent solo exhibitions include those at\u00a0Galleria d\u2019Arte Contemporanea e Moderna, Torino; Portikus, Frankfurt; Centro Jose Guerrero, Granada; Institute of Contemporary Arts, London; and the\u00a0International Biennial of the Moving Image, Geneva. \u00a0She was a founding member of United Nations Plaza School, Anton Vidokle&#8217;s project in Berlin, Mexico City, and New York.<br \/>\nHer work has been included in many other group exhibitions, at the Centre Pompidou, Paris; PS1, New York; the International Center of Photography, New York; Reina Sof\u00eda, Madrid;\u00a0Skulptur Projekte M\u00fcnster 07; documenta 7 &amp;12, Kassel; the Venice Biennale; Tate Modern, London; and many other international and national venues. Rosler has published 17 books of photography, art, and writing, in several languages; her essay book Decoys and Disruptions, was published by MIT Press in 2004. She was awarded the Spectrum International Prize in Photography in 2005 and\u00a0the\u00a0Oskar-Kokoschka Prize in\u00a02006; she was the\u00a0United States Artists Nimoy Fellow in 2008 and a Civitella Ranieri Fellow in 2009; IN 2010\u00a0she was awarded a Lifetime Achievement Award by New York\u2019s Guggenheim Museum. She is a renowned teacher and has lectured nationally and internationally.<\/p>\n<p><a href=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2011\/02\/mr_f30-1.jpg\" title=\"Martha Rosler; Semiotics\"><img decoding=\"async\" src=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2011\/02\/mr_f30-1.jpg\" alt=\"Martha Rosler; Semiotics\" \/><\/a><\/p>\n<p>In 2003, the Whitechapel Gallery in London invited Martha Rosler to recreate her classic video Semiotics of the Kitchen (1975) as a live performance. She accepted the invitation by holding a casting call for women to reenact the piece; the \u201caudition\u201d would be the public event. Rosler\u2019s documentary video, Semiotics of the Kitchen: An Audition (2011), premiered earlier this week at Electronic Arts Intermix (EAI) in New York.<br \/>\n<a href=\"http:\/\/blog.art21.org\/2011\/01\/21\/gastro-vision-martha-roslers-kitchen-mise-en-scene\/?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=Art21_News\">http:\/\/blog.art21.org\/2011\/01\/21\/gastro-vision-martha-roslers-kitchen-mise-en-scene\/?utm_source=newsletter&amp;utm_medium=email&amp;utm_campaign=Art21_News<br \/>\n<\/a><\/p>\n<p>@khm mediathek:<br \/>\nRosler, Martha\u00a0 \u00a0[Regie]\u00a0:\u00a0<em>Vital statistics of a citizen, simply obtained<\/em>\u00a0\u00a0\/\u00a0Regie und Drehbuch: Martha Rosler\u00a0.\u00a0&#8211;\u00a0Originalfassung\u00a0.\u00a0&#8211;\u00a0Toronto\u00a0\u00a0:\u00a0Art Metropole\u00a0,\u00a0[S.a.]\u00a0.\u00a0&#8211;\u00a01 Videokassette (VHS, 40 Min.) : farb.\u00a0.\u00a0&#8211;\u00a0(Art Metropole 1\/2 inch videotape series\u00a0)<br \/>\nSign.:\u00a0VID V 1546\u00a0Znr.:\u00a099 V 216<\/p>\n<p><em>Performance Saga<\/em>\u00a0\u00a0:\u00a0Begegnungen mit Wegbereiterinnen der Performancekunst\u00a0\u00a0\/\u00a0Hrsg.: Andrea Saemann &#8230;.\u00a0.\u00a0&#8211;\u00a0Z\u00fcrich\u00a0\u00a0:\u00a0Fink\u00a0.\u00a0&#8211;\u00a0DVD : farb. Rosler, Martha\u00a0:\u00a0Martha Rosler\u00a0,\u00a02008\u00a0.\u00a0&#8211;\u00a01 DVD (57 Min.) : farb. + 1 Textheft (28 S.)\u00a0.\u00a0&#8211;\u00a0978-3-03746-118-1 Interview 07\u00a0;<br \/>\nSign.:\u00a0DVD V 2910\u00a0Znr.:\u00a009 DV 394<a href=\"http:\/\/art-agenda.com\/agenda\/view\/129\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Martha Rosler is an artist who works with multiple media, including photography, photo-text, sculpture, video, performance, and installation. Her interests are centered on the public sphere and landscapes of everyday life\u2014actual and virtual\u2014especially as they affect women. Related projects focus on housing, on the one hand, and systems of transportation, on the other. She has [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[59,78,52,74],"tags":[],"class_list":["post-384","post","type-post","status-publish","format-standard","hentry","category-current","category-lecture","category-seminars","category-surveillantearchitectures"],"_links":{"self":[{"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/posts\/384","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"https:\/\/sag.khm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=384"}],"version-history":[{"count":0,"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/posts\/384\/revisions"}],"wp:attachment":[{"href":"https:\/\/sag.khm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=384"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sag.khm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=384"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sag.khm.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}