{"id":2444,"date":"2018-12-19T09:41:49","date_gmt":"2018-12-19T08:41:49","guid":{"rendered":"http:\/\/wordpress.khm.de\/sag\/?p=2444"},"modified":"2019-05-24T10:57:03","modified_gmt":"2019-05-24T09:57:03","slug":"winter-term-201819-surveillance-101-art-work-readings","status":"publish","type":"post","link":"https:\/\/sag.khm.de\/?p=2444","title":{"rendered":"Winter Term 2018\/19: Surveillance 101 &#8211; art work &amp; readings"},"content":{"rendered":"<h3>Readings<\/h3>\n<p><a href=\"https:\/\/duckduckgo.com\/?q=Exposed.+Voyeurism%2C+Surveillance+and+the+Camera&amp;t=osx&amp;ia=web\">Exposed. Voyeurism, Surveillance and the Camera<\/a>, 2010, catalogue<\/p>\n<p>Michel Foucault, Discipline and Punish, 1975.\u00a0English translation freely available <a href=\"https:\/\/www.google.com\/search?hl=de&amp;q=Michel%20Foucault%20Discipline%20and%20Punish%20filetype:pdf\" target=\"_blank\" rel=\"noopener noreferrer\">online<\/a>.<\/p>\n<p>Giorgo Agamben: What is an Apparatus?\u2028 (Was ist ein Dispositiv?) PDF available <a href=\"https:\/\/duckduckgo.com\/?q=Giorgio+Agamben+-+What+is+an+Apparatus\" target=\"_blank\" rel=\"noopener noreferrer\">online<\/a><\/p>\n<p>Gerhard Paul &#8211; <a href=\"https:\/\/www.visual-history.de\/2016\/10\/02\/video-oder-was-haben-die-berliner-verkehrsbetriebe-bvg-mit-homer-zu-tun\/\" target=\"_blank\" rel=\"noopener noreferrer\">\u201eVideo\u201c oder: Was haben die Berliner Verkehrsbetriebe (BVG) mit Homer zu tun?<\/a><\/p>\n<p>In the library:<\/p>\n<p>Randolph Lewis: Under Surveillance: Being Watched in Modern America<\/p>\n<p>CTRL [Space]: Rhetorics of Surveillance, from Bentham to Big Brother, Thomas Y. Levin, Ursula Frohne, and Peter Weibel, ed. (Cambridge, MA: MIT Press, 2002)<\/p>\n<p>Surveillance and Security, Technological Politics and Power in Everyday Life. Edited By Toren Monahan<\/p>\n<p>Christopher Dandeker, Surveillance,Power &amp; Modernity<\/p>\n<p>Newell, Bryce Clayton [editor], Surveillance, Privacy and Public Space<\/p>\n<p>Vian Bakir, Sousveillance, media and strategic political communication<\/p>\n<h3>Art works shown and discussed<\/h3>\n<p>Niels Bonde (seminar guest Nov 14, 2018),<a href=\"http:\/\/nielsbonde.com\/?p=318\" target=\"_blank\" rel=\"noopener noreferrer\">\u00a0I Never had Hair on my Body or Head<\/a>, 1996<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-thumbnail wp-image-2437\" title=\"Niels Bonde I Never had Hair on my Body or Head\" src=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2017\/12\/NielsBondeINeverHad-361x500.jpg\" alt=\"\" width=\"361\" height=\"500\" srcset=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2017\/12\/NielsBondeINeverHad-361x500.jpg 361w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2017\/12\/NielsBondeINeverHad.jpg 549w\" sizes=\"(max-width: 361px) 100vw, 361px\" \/><\/p>\n<p>Jonas Mekas, <a href=\"http:\/\/jonasmekasfilms.com\/dvd\/\" target=\"_blank\" rel=\"noopener noreferrer\">The Brig<\/a>,\u00a01964<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-thumbnail wp-image-2447\" title=\"Jonas_Mekas-The-Brig-1964\" src=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Jonas_Mekas-The-Brig-1964-400x288.jpg\" alt=\"\" width=\"400\" height=\"288\" srcset=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Jonas_Mekas-The-Brig-1964-400x288.jpg 400w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Jonas_Mekas-The-Brig-1964-360x260.jpg 360w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Jonas_Mekas-The-Brig-1964.jpg 470w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>Harun Farocki,\u00a0<a href=\"https:\/\/www.harunfarocki.de\/de\/filme\/2000er\/2000\/gefaengnisbilder.html\" target=\"_blank\" rel=\"noopener noreferrer\">Gef\u00e4ngnisbilder (Prison Images)<\/a>, 2000<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-thumbnail wp-image-2449\" title=\"Harun Farocki, Gef\u00e4ngnisbilder\" src=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Harun-Farocki-Gef\u00e4ngnisbilder-400x320.jpg\" alt=\"\" width=\"400\" height=\"320\" srcset=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Harun-Farocki-Gef\u00e4ngnisbilder-400x320.jpg 400w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Harun-Farocki-Gef\u00e4ngnisbilder-850x680.jpg 850w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Harun-Farocki-Gef\u00e4ngnisbilder-1536x1229.jpg 1536w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Harun-Farocki-Gef\u00e4ngnisbilder-690x552.jpg 690w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Harun-Farocki-Gef\u00e4ngnisbilder-980x784.jpg 980w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Harun-Farocki-Gef\u00e4ngnisbilder-280x225.jpg 280w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Harun-Farocki-Gef\u00e4ngnisbilder.jpg 2000w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Harun-Farocki-Gef\u00e4ngnisbilder-400x320@2x.jpg 800w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Harun-Farocki-Gef\u00e4ngnisbilder-850x680@2x.jpg 1700w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Harun-Farocki-Gef\u00e4ngnisbilder-690x552@2x.jpg 1380w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Harun-Farocki-Gef\u00e4ngnisbilder-980x784@2x.jpg 1960w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Harun-Farocki-Gef\u00e4ngnisbilder-280x225@2x.jpg 560w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>Artur Zmijewski, <a href=\"https:\/\/www.e-flux.com\/announcements\/42031\/artur-zmijewski\/\" target=\"_blank\" rel=\"noopener noreferrer\">Repetition<\/a>, 2006<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-thumbnail wp-image-2446\" title=\"Artur-Zmijewski-Repetition-2005-video-still-image-via-polishculture.org_.uk_\" src=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Artur-Zmijewski-Repetition-2005-video-still-image-via-polishculture.org_.uk_-400x267.jpg\" alt=\"\" width=\"400\" height=\"267\" srcset=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Artur-Zmijewski-Repetition-2005-video-still-image-via-polishculture.org_.uk_-400x267.jpg 400w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Artur-Zmijewski-Repetition-2005-video-still-image-via-polishculture.org_.uk_-850x567.jpg 850w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Artur-Zmijewski-Repetition-2005-video-still-image-via-polishculture.org_.uk_-690x460.jpg 690w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Artur-Zmijewski-Repetition-2005-video-still-image-via-polishculture.org_.uk_.jpg 855w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Artur-Zmijewski-Repetition-2005-video-still-image-via-polishculture.org_.uk_-400x267@2x.jpg 800w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>Gregor Schneider, <a href=\"http:\/\/kaldorartprojects.org.au\/projects\/project-16-gregor-schneider\" target=\"_blank\" rel=\"noopener noreferrer\">Beach Cells<\/a>, 2007<\/p>\n<figure id=\"attachment_2451\" aria-describedby=\"caption-attachment-2451\" style=\"width: 400px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-thumbnail wp-image-2451\" title=\"Photo 13: BONDI BEACH, 21 BEACH CELLS,\" src=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/20070928_bondi_beach_sydney_13-400x267.jpg\" alt=\"\" width=\"400\" height=\"267\" srcset=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/20070928_bondi_beach_sydney_13-400x267.jpg 400w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/20070928_bondi_beach_sydney_13-690x460.jpg 690w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/20070928_bondi_beach_sydney_13.jpg 700w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><figcaption id=\"caption-attachment-2451\" class=\"wp-caption-text\">(20x20x2,5m each cell 4x4x2,5m), Kaldor Art Projects, Bondi Beach, Sydney 28.09.2007-21.10.2007<\/figcaption><\/figure>\n<p>Lisa Domin &#8211; <a href=\"http:\/\/lisadomin.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Faxen<\/a>, 2018<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-thumbnail wp-image-2448\" title=\"Lisa Domin - Faxen, 2018\" src=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Lisa-Domin-Faxen-2018-400x225.png\" alt=\"\" width=\"400\" height=\"225\" srcset=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Lisa-Domin-Faxen-2018-400x225.png 400w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Lisa-Domin-Faxen-2018-850x478.png 850w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Lisa-Domin-Faxen-2018-690x388.png 690w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Lisa-Domin-Faxen-2018-980x551.png 980w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Lisa-Domin-Faxen-2018.png 1500w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Lisa-Domin-Faxen-2018-400x225@2x.png 800w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Lisa-Domin-Faxen-2018-690x388@2x.png 1380w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<h3>not-to miss\u00a0all-time favorites<\/h3>\n<p>The Conversation,\u00a0Francis Ford Coppola, 1974<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-2457 size-full\" title=\"The conversation\" src=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/Theconversation.jpg\" alt=\"\" width=\"260\" height=\"397\" \/><\/p>\n<p>Das Leben der Anderen (The Lives of Others),\u00a0Florian Henckel von Donnersmarck, 2006<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-thumbnail wp-image-2456\" title=\"DAS_LEBEN_DER_ANDEREN 3826 copy\" src=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/DAS_LEBEN_DER_ANDEREN-382226-copy-e1558690571282-400x173.png\" alt=\"\" width=\"400\" height=\"173\" srcset=\"https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/DAS_LEBEN_DER_ANDEREN-382226-copy-e1558690571282-400x173.png 400w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/DAS_LEBEN_DER_ANDEREN-382226-copy-e1558690571282-850x367.png 850w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/DAS_LEBEN_DER_ANDEREN-382226-copy-e1558690571282-690x298.png 690w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/DAS_LEBEN_DER_ANDEREN-382226-copy-e1558690571282-980x423.png 980w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/DAS_LEBEN_DER_ANDEREN-382226-copy-e1558690571282-768x332.png 768w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/DAS_LEBEN_DER_ANDEREN-382226-copy-e1558690571282.png 1010w, https:\/\/sag.khm.de\/wp-content\/uploads\/sites\/15\/2018\/12\/DAS_LEBEN_DER_ANDEREN-382226-copy-e1558690571282-400x173@2x.png 800w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<p>The Social Network Trailer, featuring a cover of Radiohead&#8217;s Creep<\/p>\n<p><iframe title=\"THE SOCIAL NETWORK - Official Trailer [2010] (HD)\" width=\"980\" height=\"551\" src=\"https:\/\/www.youtube.com\/embed\/lB95KLmpLR4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><script type=\"application\/json\" data-arve-oembed>{\n    \"title\": \"THE SOCIAL NETWORK - Official Trailer [2010] (HD)\",\n    \"author_name\": \"Sony Pictures Entertainment\",\n    \"author_url\": \"https:\/\/www.youtube.com\/@sonypictures\",\n    \"type\": \"video\",\n    \"height\": 551,\n    \"width\": 980,\n    \"version\": \"1.0\",\n    \"provider_name\": \"YouTube\",\n    \"provider_url\": \"https:\/\/www.youtube.com\/\",\n    \"thumbnail_height\": 360,\n    \"thumbnail_width\": 480,\n    \"thumbnail_url\": \"https:\/\/i.ytimg.com\/vi_webp\/lB95KLmpLR4\/hqdefault.webp\",\n    \"arve_iframe_src\": \"https:\/\/www.youtube.com\/embed\/lB95KLmpLR4?feature=oembed\",\n    \"arve_provider\": \"youtube\",\n    \"arve_cachetime\": \"2024-06-06T02:58:13+02:00\",\n    \"arve_url\": \"https:\/\/www.youtube.com\/watch?v=lB95KLmpLR4\",\n    \"arve_thumbnail_url_org\": \"https:\/\/i.ytimg.com\/vi\/lB95KLmpLR4\/hqdefault.jpg\",\n    \"arve_thumbnail_small\": \"https:\/\/i.ytimg.com\/vi_webp\/lB95KLmpLR4\/mqdefault.webp\",\n    \"arve_thumbnail_large\": \"https:\/\/i.ytimg.com\/vi_webp\/lB95KLmpLR4\/maxresdefault.webp\",\n    \"arve_srcset\": \"https:\/\/i.ytimg.com\/vi_webp\/lB95KLmpLR4\/mqdefault.webp 320w, https:\/\/i.ytimg.com\/vi_webp\/lB95KLmpLR4\/hqdefault.webp 480w, https:\/\/i.ytimg.com\/vi_webp\/lB95KLmpLR4\/sddefault.webp 640w, https:\/\/i.ytimg.com\/vi_webp\/lB95KLmpLR4\/hq720.webp 1280w, https:\/\/i.ytimg.com\/vi_webp\/lB95KLmpLR4\/maxresdefault.webp 1920w\"\n}<\/script><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Readings Exposed. Voyeurism, Surveillance and the Camera, 2010, catalogue Michel Foucault, Discipline and Punish, 1975.\u00a0English translation freely available online. Giorgo Agamben: What is an Apparatus?\u2028 (Was ist ein Dispositiv?) PDF available online Gerhard Paul &#8211; \u201eVideo\u201c oder: Was haben die Berliner Verkehrsbetriebe (BVG) mit Homer zu tun? In the library: Randolph Lewis: Under Surveillance: Being [&hellip;]<\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[55,65,59,74,58],"tags":[],"class_list":["post-2444","post","type-post","status-publish","format-standard","hentry","category-art-positions-projects","category-bibliography","category-current","category-surveillantearchitectures","category-text"],"_links":{"self":[{"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/posts\/2444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/sag.khm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2444"}],"version-history":[{"count":8,"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/posts\/2444\/revisions"}],"predecessor-version":[{"id":2504,"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/posts\/2444\/revisions\/2504"}],"wp:attachment":[{"href":"https:\/\/sag.khm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2444"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sag.khm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2444"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sag.khm.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}