{"id":2188,"date":"2017-03-22T15:33:19","date_gmt":"2017-03-22T14:33:19","guid":{"rendered":"http:\/\/wordpress.khm.de\/sag\/?p=2188"},"modified":"2017-04-06T13:44:10","modified_gmt":"2017-04-06T12:44:10","slug":"the-fields-have-eyes-the-woods-have-ears-1546","status":"publish","type":"post","link":"https:\/\/sag.khm.de\/?p=2188","title":{"rendered":"The Fields Have Eyes, The Woods Have Ears. 1546 \u2013 1933"},"content":{"rendered":"
\"Unbekannter<\/a>
Unbekannter Stecher (Niederl\u00e4ndisch), Das Feld hat Augen, der Wald hat Ohren, 1546, Holzschnitt, koloriert. \u00a9 Kupferstichkabinett, Staatliche Museen zu Berlin _ Foto- J\u00f6rg Anders<\/figcaption><\/figure>\n

 <\/p>\n

From the announcement to a show at the Museum f\u00fcr Fotografie<\/a> in Berlin. The catalogue<\/a> is in the library now, including this incredible etching:<\/p>\n

\"\"<\/a>
Jacques Callot, Le Ciel veille pour toy (Der Himmel wacht fuer Dich \/ The Heaves watch out for you), 1628, Kupferstich. (c) Kupferstichkabinett, Staatliche Museen zu Berlin _ Foto- Dietmar Katz<\/figcaption><\/figure>\n

Paranoia is not a recent invention. The essay in the book is drawing a direct line from the all-knowing eye of god to the eye of the law.<\/p>\n

The same thing is being done in more depth in an excellent essay by Gerhard Paul,<\/span> tracing the visual history of eyes over the course of the last 3000 years of Western history. https:\/\/www.visual-history.de\/2016\/10\/02\/video-oder-was-haben-die-berliner-verkehrsbetriebe-bvg-mit-homer-zu-tun\/<\/a><\/p>\n

From Gerhard Paul<\/span>‘s essay: “see everything with Hollerith punch cards”, an ad from 1933\/34:<\/p>\n

\"Uebersicht-mit-Hollerith<\/a>
Uebersicht-mit-Hollerith Plakat-Werbung 1933_34 der Firma Dehomag fu\u0308r Hollerith-Lochkarten, auf denen die Volksza\u0308hlung von 1933 aufbereitet und ausgewertet wurde. Quelle- Slg. G. Paul<\/figcaption><\/figure>\n

Those Hollerith machines were later being put to extensive use a few years later.<\/p>\n","protected":false},"excerpt":{"rendered":"

  From the announcement to a show at the Museum f\u00fcr Fotografie in Berlin. The catalogue is in the library now, including this incredible etching: Paranoia is not a recent invention. The essay in the book is drawing a direct line from the all-knowing eye of god to the eye of the law. The same […]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[55,62],"tags":[],"class_list":["post-2188","post","type-post","status-publish","format-image","hentry","category-art-positions-projects","category-history","post_format-post-format-image"],"_links":{"self":[{"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/posts\/2188","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/sag.khm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2188"}],"version-history":[{"count":18,"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/posts\/2188\/revisions"}],"predecessor-version":[{"id":2238,"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/posts\/2188\/revisions\/2238"}],"wp:attachment":[{"href":"https:\/\/sag.khm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2188"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sag.khm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2188"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sag.khm.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2188"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}