Semesterapparat
\nWomen under Surveillance
\nKHM WS 2014\/15<\/p>\n
Exposed. voyeurism, surveillance and the camera<\/strong> 3. Voyeurism and Desire, Sandra S. Phillips<\/p>\n 4. Celebrity and the Public Gaze, Sandra S. Phillips<\/p>\n 5. Surveillance, Sandra S. Phillips<\/p>\n 6. Up Periscope! Photography and the surreptitious image 9. Dare To Be Famous, Self-Exploitation and the Camera, Richard B. Woodward<\/p>\n 10. From Observation to Surveillance, Marta Gili<\/p>\n Rosalind Krauss<\/span> CTRL [Space]: Rhetorics of Surveillance, from Bentham to Big Brother, Thomas Y. Levin, Ursula Frohne, and Peter Weibel, ed. (Cambridge, MA: MIT Press, 2002)<\/strong> Peter Weibel, “Pleasure and the Panoptic Principle”, 207-223<\/p>\n Beatriz Colomina: Sexuality & space<\/strong> Semesterapparat Women under Surveillance KHM WS 2014\/15 Exposed. voyeurism, surveillance and the camera These selected essays: 1. Looking Out, Looking In, Voyeurism and its affinities from the beginning of photography, Sandra S. Phillips 3. Voyeurism and Desire, Sandra S. Phillips 4. Celebrity and the Public Gaze, Sandra S. Phillips 5. Surveillance, Sandra S. Phillips 6. […]<\/p>\n","protected":false},"author":15,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[65,52,74,99],"tags":[],"class_list":["post-1807","post","type-post","status-publish","format-standard","hentry","category-bibliography","category-seminars","category-surveillantearchitectures","category-women-under-surveillance"],"_links":{"self":[{"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/posts\/1807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/sag.khm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1807"}],"version-history":[{"count":0,"href":"https:\/\/sag.khm.de\/index.php?rest_route=\/wp\/v2\/posts\/1807\/revisions"}],"wp:attachment":[{"href":"https:\/\/sag.khm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sag.khm.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sag.khm.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nThese selected essays:<\/span>
\n1. Looking Out, Looking In, Voyeurism and its affinities from the beginning of photography, Sandra S. Phillips<\/p>\n
\nSimon Baker<\/p>\n
\nEssay: Cindy Sherman: Untitled<\/span>
\nEspecially the first two chapters, about the film stills and the horizontals. All of it is great. Available in the original English and in German.<\/p>\n
\nAll the essays are worth a read but start with these two essays:<\/span>
\nVictor Burgin, “Jenni’s Room”, 228-235<\/p>\n
\nEssay<\/span> by Beatriz Colomina: The Split Wall, Domestic Voyeurism,
\np. 72-128<\/p>\n","protected":false},"excerpt":{"rendered":"