Simon Denny: Tech and Distributed Governance?

the 2nd  Medienkatastrophe-lecture of the summer term

Simon Denny: Tech and Distributed Governance?
lecture in English

From the rise of blockchain (the distributed ledger behind Bitcoin) to the development of management methodology ‘Holacracy’ at Zappos in Las Vegas and the intelligence agencies of the UK, the lecture will map some of the technology industry’s disruptive forces as they alter the conditions of governance.

From dreams of alternatives to hyper-liberalism, and more recently affinities with the far right, the discussion and presentation will touch on various interconnected case studies and unpack the changes being rolled out between the state and extra-state forces extending the tech community’s infrastructure, culture and influence today. As the Silicon Valley community builds and maintains what has become the interfaces for global communications, the tensions between politically nationalist governing systems and global financial and information streams continue to intensify.

Drawing on his work over the last 5 years Denny will unpack moments in this trajectory.

https://www.khm.de/termine/news.4185.simon-denny-tech-and-distributed-governance/

 

image: SD_BlockchainRiskBoardGamePrototype-Tech_Venture21IncEdition _Photo: Joerg Von Bruchhausen
poster by Nikolai

Summer Term 2017: The Body and the Network

The Body and the Network

A discussion and production seminar, geared to critically engage contemporary surveillance and control measures in artistic practice. The focus is on the development of new methodologies, identities, and narratives, especially those that cross diverse media in a performative way.

Building on the winter term’s „Systematic Observation and Recall“ the seminar will look at body extensions in societies of control and how they manifest in networked media. This includes art works, network activity, performances or videos that reconfigure, refocuse and recontextualize current technologies of connection and display.

We will investigate new transient cultures of extending and marking the body for security, surveillance, pleasure and storytelling, and contemporary platforms for live display including the theatre, the databank and the MAX Patch.

Workshops:
Raspberry Pi Basics
A practical workshop with help from Martin Nawrath to configure and install network devices with the Raspberry Pi as a basis. Aimed at all experience levels, the workshop will introduce the basics of networking technology, the command line, scripting and automation, as well as working with external sensors.

Media for Live Events
Building on this, there will later on in the term be the opportunity to work with Prof. Larry Shea, from School of Drama, Carnegie Mellon University. In this several-weeks long workshop we‘ll use the new skills to imagine and build new networked and sensor-based set-ups for installations, performances and open scenarios, working towards Rundgang.

Mid Term Review: 9 &10 May 2017

Excursion to opening days of documenta 14

Required reading
– Nervous Systems, HKW Berlin, 2016, introduction by Anselm Franke, Stephanie Hankey and Marek Tuszynski (online)
– Out of Body, Skulptur Projekte Münster, 2016: The Body of the Web (online)
– Surveillance, Performance, Self-Surveillance. Interview with Jill Magid by Geert Lovink (online)
– Flesh and Stone, The Body and the City in Western Civilization, Richard Sennett, New York, 1994

Invited speakers
Geert Lovink: Medienkatastrophe, 20.4., 18 h, Aula
Simon Denny: Medienkatastrophe, 26.4., 19 h, Aula
Mark Bain
Prof. Larry Shea (June-July)

poster by Nikolai

Geert Lovink / Medienkatastrophe talk

A State of the Platform Address

By Geert Lovink

20 April 2017, 18h, KHM Aula
This lecture deals with the changes over the years from media, via networks to platforms. What does it mean that the internet has become infrastructure, penetrating society, from taxis to hotels to agriculture and healthcare, going well beyond the media and communication realm? What do we mean when we talk about ‘platform capitalism’? What is aggregation and does it play out in different contexts? We all know how social media operate in daily life, but what’s the next step, and how can the art world, start to play a role in these massive changes in society?

Geert Lovink is a media theorist, internet critic and author of Uncanny Networks (2002), Dark Fiber (2002), My First Recession (2003), Zero Comments (2007), Networks Without a Cause (2012) and Social Media Abyss (2016). Since 2004 he is researcher in the Faculty of Digital Media and Creative Industries at the Amsterdam University of Applied Sciences (HvA) where he is the founder of the Institute of Network Cultures. His centre recently organized conferences, publications and research networks such as Video Vortex (the politics and aesthetics of online video), Unlike Us (alternatives in social media), Critical Point of View (Wikipedia), Society of the Query (the culture of search), MoneyLab (internet-based revenue models in the arts) and a project on the future of art criticism.

Network Cultures Critique! Buzzwords: Era of Social Media Monopolies / Platform Capitalism / Cryptocurrencies / the end of the “free” services business model /  etc etc. He’s meeting us at 16h to look at some of your projects. There are a million talks on Youtube. From a short interview about Social Media:

“I sincerely hope that we can still break it open and have space for more experimentation. Because what we see is the reverse development. And that’s got to do with the fact that people are more and more familiarizing themselves. It’s all slipping into this new level of mass subconsciousness, where the social media become part of the everyday life. We all know that, when you walk into the elevator, very very likely he or she is going to get out the smartphone and check it before they arrive at the 6th floor. That is a new habit. And it’s this habitual element which is very very dangerous. Because it forbids further experimentation, and kind of solidifies the network architectures and says, this is what it is. If we know what it is, it can then enter the collective subconsciousness. And that is a very dangerous moment. And that is the moment of complete and utter state and corporate control.”

The Fields Have Eyes, The Woods Have Ears. 1546 – 1933

Unbekannter Stecher (Niederländisch), Das Feld hat Augen, der Wald hat Ohren, 1546, Holzschnitt, koloriert. © Kupferstichkabinett, Staatliche Museen zu Berlin _ Foto- Jörg Anders

Unbekannter Stecher (Niederländisch), Das Feld hat Augen, der Wald hat Ohren, 1546, Holzschnitt, koloriert. © Kupferstichkabinett, Staatliche Museen zu Berlin _ Foto- Jörg Anders

 

From the announcement to a show at the Museum für Fotografie in Berlin. The catalogue is in the library now, including this incredible etching:

Jacques Callot, Le Ciel veille pour toy (Der Himmel wacht fuer Dich / The Heaves watch out for you), 1628, Kupferstich. (c) Kupferstichkabinett, Staatliche Museen zu Berlin _ Foto- Dietmar Katz

Paranoia is not a recent invention. The essay in the book is drawing a direct line from the all-knowing eye of god to the eye of the law.

The same thing is being done in more depth in an excellent essay by Gerhard Paul, tracing the visual history of eyes over the course of the last 3000 years of Western history. https://www.visual-history.de/2016/10/02/video-oder-was-haben-die-berliner-verkehrsbetriebe-bvg-mit-homer-zu-tun/

From Gerhard Paul‘s essay: “see everything with Hollerith punch cards”, an ad from 1933/34:

Uebersicht-mit-Hollerith Plakat-Werbung 1933_34 der Firma Dehomag für Hollerith-Lochkarten, auf denen die Volkszählung von 1933 aufbereitet und ausgewertet wurde. Quelle- Slg. G. Paul

Uebersicht-mit-Hollerith Plakat-Werbung 1933_34 der Firma Dehomag für Hollerith-Lochkarten, auf denen die Volkszählung von 1933 aufbereitet und ausgewertet wurde. Quelle- Slg. G. Paul

Those Hollerith machines were later being put to extensive use a few years later.

the History of Systematic Surveillance

For those who have the time, inclination, language proficiency (and attention span) to listen to a podcast in German: The history of systematic surveillance.

The thesis is that it was started in the mid-1600s when three conditions came together: For the first time, enough people knew how to read and write and there was actually something to systematically surveil: a great international culture of letter writing that had sprung up in recent decades. The starting point was the beheading of King Charles I of England in 1649. A huge shock to those in power. Suddenly all the other powerful European nations saw the need to better control their populace. The first to implement this was France which decreed that from now on all letters had to go through Paris, so they could be intercepted, opened and copied. With our recent experience of post 9/11 surveillance extensions it’s not hard to image what the pretext for this was. More security? Efficiency?

https://technische-aufklaerung.de/ta042-zur-geschichte-der-systematischen-ueberwachung/

In this context see also our mammoth timeline.

Works in progress by students from the Surveillant Architectures seminar

Systematic Observation and Recall
Works in progress by students from the Surveillant Architectures seminar

Opening: 18 January 2017 / 19 h / KHM, room2, Filzengraben 2a.

Performances at 19.30 and 20 h!

The exhibition is open on January 19 and 20 from 11 – 17 h.

Marko Salapura, Paul Leo, Vered Koren, Camilo Sandoval, Julia König, Karen Zimmermann, Charlotte Triebus, Nikolai Meierjohann, Thomas Reul, Jonathan Omer Mizrahi, Andreas Niegl, Lilian Villalba, Caterina Ruzzante, Nausheen Javed.

invitation gif